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[LOW RUMBLING SOUND EFFECT]

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Official YIFY movies site:
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[RADIO GLITCHES, STATIC]

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[MAN SINGING JINGLE]

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[CARS WHOOSHING]

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WOMAN INTERVIEWER:
Have you heard

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ofArrested Development?

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-Arrested Development?
-Arrested Development...

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-Arrested Development!
-No.

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-No...
-No.

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-Nope.
-No.

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-No.
-BOTH: [IN TANDEM] Nope!

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Never heard of it.

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I've heard of it, but I really
don't know anything about it.

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Tell me about it, what is it?

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It's a TV show. I think.

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I think I watched it
a couple of times.

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Who's in it?

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Was it on HBO
or something like that?

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I understand it was
a pretty good show...

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But they canceled it! Yeah...

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I am seriously sitting here,
being interviewed on a show...

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-[CHUCKLES]
-...because I love it so much.

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I don't remember
ever laughing as hard

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at anything on television.

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It's just the funniest show
I've ever seen. Ever.

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It's my favorite show.
Ever. Ever!

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Arrested Development,
across all borders,

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is hilarious.

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Yeah, if you're watching
an episode, and it doesn't

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seem funny,

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then you know there's
something wrong with you.

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It's getting to laugh at rich
people for being stupid.

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-[CHUCKLES]
-It's brilliant.

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Revolutionary.

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People were not ready
for this show at all.

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You have to be forewarned
for this kind of brilliance.

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True story.

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Um...

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Neil, Jeff...

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[SIGHS]

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I created a show called
Arrested Development.

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Of which there are more,

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um, fans, in this movie

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than there are
outside of this movie.

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I'm Joe Russo.
My brother Anthony.

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We directed the, uh, pilot.

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You know, the show
came about in a unique time

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in television history.

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You know, I had worked a long
time in situation comedy,

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and sitcoms had become stuck.

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And it was sort of born
in the wake of

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the rise of HBO and
HBO's re-invention of...

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Of what television is.

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I did a show called
Everything's Relative.

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Which was in many ways
a precursor to
Arrested Development.

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It was about a family
that was completely

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in-meshed with itself
and obsessed with itself.

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And we did four episodes,
and it was trashed by critics.

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And, uh... And it died.

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But I... I... [STUTTERS] It
started to play with the form

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that I had come up in.
Having worked on

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The Golden Girls
and things like that.

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A guy named David Nevins
was at NBC when we did it.

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I'm David Nevins,

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I'm the president
of Imagine Television.

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So when he became president
at Imagine Television,

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his boss Ron Howard told him
he wanted to do a show

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that was kind of multi-media.

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And it would have this sorta
fast-paced, loose, home movie

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slash documentary style.

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It was a very unformed idea
at that point.

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-Nevins called us...
-And we started

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throwing around ideas.

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He said "Come in, I want
to talk to you guys.

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There's this show that
we're working on that's

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"an idea that Ron had."

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I had this notion
that it should look
and feel and sound

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different than,

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you know, what you were
traditionally seeing

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in half-hour
television comedy.

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They had said that Ron
wanted to sort of reinvent

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the half-hour.

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And we had this idea,
that we wanted it to feel
very gorilla...

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That was one of the reasons
we chose the Russo's,

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'cause they hadn't done a ton
of network comedies.

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They were young, and
certainly felt like they were

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gonna be in tune with that
gorilla filmmaking style.

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They could get a lot done
very, very quickly when

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they needed to.

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We had shot our first
credit card movie

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for $35,000. So we really knew

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sort of,
gorilla filmmaking tactics.

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Right from the beginning,

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that was how we wanted
to do it.
And part of the reason

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that we hired them is 'cause
we knew that they would be
comfortable with that.

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And then I...

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Well, I met
with a few writers,

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and one of them
was Mitch Hurwitz.

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Who I'd worked with before
on Everything's Relative.

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I always had a feeling
about Mitch.

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And Mitch really,
really liked the idea.

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He'd kind of come up through
traditional sitcoms,

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but I always felt that he was
probably the best bet to be

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the next great comedy voice.

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And he had this...
Started talking about,

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in a second meeting,
this family.

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Of his.

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We started thinking,
"Well, maybe [STUTTERS]

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"it should be about a family."

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He wanted to do a highly
dysfunctional extended family.

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With extreme characters.

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And David Nevins suggested,
"Maybe there's some element

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"that pushes them together."

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My brother and sister-in-law
moved in with me,

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so we talked about
sort of adult siblings
coming together.

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And I thought that was
pretty great.

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That was the time of Enron

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and all these
accounting frauds.

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And I actually worried
at the time

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I'm like "Well, will this be
out of date

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"by the time we
get on the air?" [LAUGHS]

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You know? Will there be
no more accounting fraud?

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And I even said, like,
"You could even have

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"a narrator if you want."

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Ron instantly said, "I like
that guy Mitch." And, uh,

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we were off and running.

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Writing the pilot was the
biggest challenge

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I ever had
up until that point.

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Mitch came back with this
script, and the story was,

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it was just so funny.
And it was so unusual.

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I kind of wanted to do a show
about a family that

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because of their wealth,
they hadn't developed

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as human beings.

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What Mitch loves to write...
is just people being so wrong,

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wrong-headed,
and yet so believing
that they're right.

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I'm always fascinated when I
sort of go back and look

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at the pilot, of the density
of the storytelling in it.

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I don't really know how...
How close the Bluths are

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to his family, but, you know,
you listen to him
talk about it

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and it seems like
they're not too far off.

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And he graphed it onto his
childhood in Orange County...

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There are characters that are
represented from my real life.

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-In there.
-I knew his family story,

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and a lot of that had been in
Everything's Relative...

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I was from a family that was

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somewhat overprotective.

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I did have a cousin,

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she did go to schools
that didn't have grades.

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You know, gave out crocodiles
and things like that.

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And Mitch sold, I don't know
if he told you this...

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My brother and I had started
a cookie business when we

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were kids.
Called The Chipyard.

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Down at the pier
in Orange County.

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And there's actually one
in Boston still.

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And that kind of became
the banana stand.

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You know, Mitch just has,
once he gets going

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on something, he has a very
like, fertile mind.

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Things started crackling.

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And it came together
very quickly.

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I ended up doing
30 drafts of the pilot.

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The great thing about the long
script was that it really

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allowed us to understand
what Mitch was thinking.

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Every character
had three things.

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I think that that's one of
the things that is so

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appealing about the show.

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So anyway,
I had this script that's

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70 pages in its tightest,
tightest form.

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There were all these
backstories for everybody...

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The fun of the show,
and the charm of the show

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really came about in that
initial development phase

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in trying to condense that
down to 30-some pages.

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I first came across the script
when my, uh...

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My good friend Mitch Hurwitz
sent it to me.

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I thought it was an insanely
crazy, funny script.

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And I thought that
they would never make it

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in a million years.

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...and turned it in, and then
the network like picked it up

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that afternoon.

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We knew that it was
different by,

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obviously, the cast
that was assembled.

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There's never been a cast

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that was better, sharper,
funnier...

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Casting, more than
anything, really

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defines a television show.

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All of it, all of it came out
of Mitch Hurwitz.

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Great TV writers like Mitch
really adapt to who they

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end up with as the actors
for their show.

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It's hard to cast, you know,
three out of five parts right.

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But, you know, he got
nine for nine.

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This is a nice place,
you guys live in the back?

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MALE INTERVIEWER:
What's the first word
that comes to your mind?

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Bateman. Is a [BLEEP] God.

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That's a sentence,
that's not a word.

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Today you're going to be
talking to Jason Bateman,

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who played Michael Bluth.

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-I love Michael!
-Michael!

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-Michael.
-Michael!

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He's a single dad
who's lost his wife.

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Jason Bateman, who knew
this guy was that funny?

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Michael Bluth is sort of
the glue that holds the

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show together.

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BATEMAN: He was
the least eccentric

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of the family. Probably the
most appropriate to

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sort of,
channel the show through.

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Which was the hardest thing
to find for the show, was the

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center of the show.
The camera friendly.

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Uh, network friendly...
Who could deliver

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a badass joke.

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RUSSO: I remember seeing
Jason Bateman's name

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on the casting sheet.

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But there was a concern
on the part of the network
and studio because

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he had been in a series
of pilots that hadn't made it

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00:09:00,988 --> 00:09:02,058
to the air.

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I don't know how many
people they went through

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before they landed on me,
but, uh,
I don't need to hear it.

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00:09:09,203 --> 00:09:10,964
I don't want to know
what you know.

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00:09:10,998 --> 00:09:14,657
So their feeling was that he
had this, um, baggage of

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unsuccessful shows
in his recent history.

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Didn't really know that much
about him. But I knew that

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00:09:19,835 --> 00:09:21,422
he did a lot of pilots
every year.

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And I was going to be
auditioning for another show

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that Mitch Hurwitz was also
producing the following day.

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Something that looks like
it was definitely gonna go

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on the air, and that I'd be
more sort of, suited for...

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So I went in and I
auditioned for it...

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-...and he killed it!
-We're like "[BLEEP]

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"We've got our guy!
We've got Michael Bluth!"

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And Mitch follows me out
of the reading room...

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And I remember running out
into the hallway saying,

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"This, right?
You like this right?

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00:09:45,654 --> 00:09:47,000
"Don't come in tomorrow
for that other thing."

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I said "Great! That's my ride,
I gotta go."

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[CREW MEMBER SHOUTS]

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CREWMAN: Don't mind that.

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How do I not mind that?

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I think I had the most,
you know, serious laughs

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where I almost hurt myself
with Gob.

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00:10:01,324 --> 00:10:02,602
-Gob.
-Gob!

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00:10:02,636 --> 00:10:04,258
George Oscar Bluth.

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00:10:07,917 --> 00:10:11,403
I play Will Arnett.
My name is Gob Bluth.

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00:10:11,438 --> 00:10:14,234
Gob stands for, uh,
George Oscar Bluth.

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00:10:14,268 --> 00:10:15,925
Everyone always
called him Gob [PHONETIC].

245
00:10:15,960 --> 00:10:17,133
Gob!

246
00:10:17,168 --> 00:10:19,515
Couldn't cast Gob and we
needed that kind of, macho

247
00:10:19,549 --> 00:10:22,345
end of the spectrum to
balance off Tony Hale

248
00:10:22,380 --> 00:10:24,382
on the other end, and put
Michael in the middle.

249
00:10:24,416 --> 00:10:25,970
I was an actor living
in New York and

250
00:10:26,004 --> 00:10:28,282
they were looking for the part
of Gob,

251
00:10:28,317 --> 00:10:31,665
I was looking for a job...
[LAUGHS] It was perfect!

252
00:10:31,700 --> 00:10:33,943
I almost believe, like,
that's who Will Arnett is

253
00:10:33,978 --> 00:10:36,325
just too true a performance.

254
00:10:36,359 --> 00:10:40,294
Will Arnett as Gob
took that role to a level
I don't think

255
00:10:40,329 --> 00:10:42,262
anybody knew it was
gonna go to.

256
00:10:42,296 --> 00:10:44,851
You know, it was such a
specifically written thing,

257
00:10:44,885 --> 00:10:46,715
and I thought that would
make it easier for actors...

258
00:10:46,749 --> 00:10:49,234
I'd done a pilot for CBS,

259
00:10:49,269 --> 00:10:52,928
it went to series, and
in that, between that time,

260
00:10:52,962 --> 00:10:54,861
my character
was written off the show.

261
00:10:54,895 --> 00:10:56,276
I remember my manager
calling me and saying

262
00:10:56,310 --> 00:10:57,449
"You gotta read this,
you gotta read this!"

263
00:10:57,484 --> 00:10:59,037
And I said "I'm not going
to do it.

264
00:10:59,072 --> 00:11:01,419
"TV already broke my heart."

265
00:11:01,453 --> 00:11:06,251
You know? And, uh, I'm not
gonna go down the aisle again

266
00:11:06,286 --> 00:11:07,977
with lady television.

267
00:11:09,392 --> 00:11:12,085
And he said, "I don't
know what the [BLEEP]

268
00:11:12,119 --> 00:11:13,465
"you're talking about..."

269
00:11:13,500 --> 00:11:14,570
CREWMAN:
This is very professional.

270
00:11:14,604 --> 00:11:16,261
-Oh, my God!
-[PEOPLE CHUCKLING]

271
00:11:16,296 --> 00:11:18,091
Lindsay is my
favorite character.

272
00:11:18,125 --> 00:11:19,713
-Lindsay Bluth.
-Lindsay!

273
00:11:22,785 --> 00:11:27,238
I'm Portia de Rossi, and I
played Lindsay Bluth Funke.

274
00:11:27,272 --> 00:11:30,172
Lindsay is, um,

275
00:11:30,206 --> 00:11:32,243
the daughter
of the family and...

276
00:11:32,277 --> 00:11:35,280
...kind of a vapid twit.

277
00:11:35,315 --> 00:11:39,077
Portia's part was written
the opposite, in a way,

278
00:11:39,112 --> 00:11:40,251
of what Portia played.

279
00:11:40,285 --> 00:11:43,426
She was very, um,
self obsessed.

280
00:11:43,461 --> 00:11:45,670
She wears like, ostrich
skinned boots yet

281
00:11:45,705 --> 00:11:47,707
somehow she pretends she
wants to save the trees

282
00:11:47,741 --> 00:11:49,053
and help the environment.

283
00:11:49,087 --> 00:11:52,021
dE ROSSI: Not terribly caring
about anyone in her family

284
00:11:52,056 --> 00:11:53,782
or anyone around her.

285
00:11:53,816 --> 00:11:58,959
Then she is only focused on
what's going to
get her some

286
00:11:58,994 --> 00:12:00,823
loving, basically.

287
00:12:00,858 --> 00:12:03,239
And she was the actress that
was funny enough

288
00:12:03,274 --> 00:12:05,655
and special enough that made
me change the writing.

289
00:12:05,690 --> 00:12:07,830
Which I hadn't done
with the other parts.

290
00:12:07,865 --> 00:12:09,901
Very underrated.
Portia de Rossi, like,

291
00:12:09,936 --> 00:12:11,903
rocks my socks off.

292
00:12:13,180 --> 00:12:14,250
CREWMAN: Professional here.

293
00:12:14,285 --> 00:12:16,701
Oh, crap!

294
00:12:16,736 --> 00:12:19,255
I really think my favorite
character is Buster.

295
00:12:19,290 --> 00:12:20,981
-Buster!
-Buster.

296
00:12:21,016 --> 00:12:22,742
Byron Buster Bluth.

297
00:12:26,504 --> 00:12:30,611
Buster is the youngest brother
of all the siblings

298
00:12:30,646 --> 00:12:32,579
to Michael, Gob, and Lindsay.

299
00:12:32,613 --> 00:12:35,064
And, uh, he is just

300
00:12:35,099 --> 00:12:38,171
an anxiety-ridden mama's boy?

301
00:12:38,205 --> 00:12:40,690
And no one else is really
bothered to spend the time

302
00:12:40,725 --> 00:12:41,795
to break him out of it.

303
00:12:41,830 --> 00:12:43,417
Our delightful Tony Hale.

304
00:12:43,452 --> 00:12:46,835
I think one of the best
descriptions of Buster was,

305
00:12:46,869 --> 00:12:49,285
"He was in the womb
for 11 months."

306
00:12:49,320 --> 00:12:51,287
He really is, like,

307
00:12:51,322 --> 00:12:53,980
the medical definition
of arrested development.

308
00:12:57,673 --> 00:12:59,019
Tape came in from New York...

309
00:12:59,054 --> 00:13:00,987
...and I remember
walking into casting one day

310
00:13:01,021 --> 00:13:03,196
and Mitch was just like,
so excited. "You gotta...

311
00:13:03,230 --> 00:13:05,439
"You guys gotta watch
this casting tape."

312
00:13:05,474 --> 00:13:08,166
Mitch was saying once that I
did something with my knees

313
00:13:08,201 --> 00:13:09,547
but the shot was only
from here down,

314
00:13:09,581 --> 00:13:10,755
so they don't know
what I was doing.

315
00:13:10,790 --> 00:13:14,759
The video just started with
him kind of rocking...

316
00:13:14,794 --> 00:13:18,038
And in fact what he was doing
was, he was...
He was doing this massage

317
00:13:18,073 --> 00:13:19,522
that was in the
script but his hands were

318
00:13:19,557 --> 00:13:22,732
out of frame.
So all I saw was this...

319
00:13:22,767 --> 00:13:25,080
[IMITATING BUSTER]
Hey, brother!

320
00:13:25,114 --> 00:13:27,392
-CREWMAN: Very professional.
-[LAUGHS]

321
00:13:27,427 --> 00:13:28,808
Very professional.

322
00:13:31,707 --> 00:13:33,157
I'm Jeffrey Tambor,

323
00:13:33,191 --> 00:13:35,021
and I got to play two roles!

324
00:13:35,055 --> 00:13:36,885
I got to play George Sr.,
and I got to play his...

325
00:13:36,919 --> 00:13:39,128
His errant brother Oscar.

326
00:13:39,163 --> 00:13:41,130
You know, Jeffrey Tambor
wasn't originally

327
00:13:41,165 --> 00:13:43,236
supposed to be on the show.

328
00:13:43,270 --> 00:13:46,446
You know, Mitch had a
previous working relationship
with Tambor.

329
00:13:46,480 --> 00:13:48,103
We were shooting the pilot,
and I had this part of

330
00:13:48,137 --> 00:13:49,690
George Sr...

331
00:13:49,725 --> 00:13:51,278
I think I was doing Hellboy 1.

332
00:13:51,313 --> 00:13:54,040
I had a month off, so I came
back to the United States

333
00:13:54,074 --> 00:13:57,181
and literally,
as I hit the airport

334
00:13:57,215 --> 00:13:59,045
I was re-checking my messages

335
00:13:59,079 --> 00:14:00,391
and there was
a message from Mitch.

336
00:14:00,425 --> 00:14:03,118
I called Jeffrey,
really the night before.

337
00:14:03,152 --> 00:14:05,430
"Would you come on it for
a day and play the father?"

338
00:14:05,465 --> 00:14:07,536
"Would you come down
and do this thing tomorrow?"

339
00:14:07,570 --> 00:14:09,849
And I never thought another
thing about it, and then

340
00:14:09,883 --> 00:14:11,091
I got a phone call...

341
00:14:11,126 --> 00:14:13,887
And then fortunately, he said
to me "I could actually see

342
00:14:13,922 --> 00:14:15,371
"doing this
on a weekly basis."

343
00:14:15,406 --> 00:14:16,545
I was like, "Oh, thank God."

344
00:14:16,579 --> 00:14:19,755
George Sr.,
Bernie Madoff with heart.

345
00:14:19,789 --> 00:14:22,068
[LAUGHS HEARTILY]

346
00:14:22,102 --> 00:14:23,655
BATEMAN: Somebody like
Jeffrey Tambor

347
00:14:23,690 --> 00:14:26,417
when he's on board, you just
know it's going to be

348
00:14:26,451 --> 00:14:28,937
a very real sort of comedy.

349
00:14:28,971 --> 00:14:31,594
I always wonder how you
follow up a role as iconic

350
00:14:31,629 --> 00:14:33,700
as what he played
on Larry Sanders,

351
00:14:33,734 --> 00:14:36,979
and to turn around and get
another show where you have

352
00:14:37,014 --> 00:14:38,394
that great a role again...

353
00:14:38,429 --> 00:14:40,051
I think Tambor's blessed.

354
00:14:40,086 --> 00:14:42,364
He really set the comedic tone
for the show.

355
00:14:45,367 --> 00:14:47,024
WOMAN: Lucille is my
favorite character.

356
00:14:47,058 --> 00:14:48,301
Gangy.

357
00:14:48,335 --> 00:14:51,166
-She's a raging bitch...
-She's a drunk.

358
00:14:51,200 --> 00:14:53,478
-Not a good mother.
-Doesn't really care

359
00:14:53,513 --> 00:14:55,653
much what happens to the
family as long as she

360
00:14:55,687 --> 00:14:57,551
still comes out on top
at the end.

361
00:14:57,586 --> 00:14:59,415
Oh, she's just evil.

362
00:14:59,450 --> 00:15:01,003
[GIGGLES] That's why
she's great!

363
00:15:01,038 --> 00:15:03,247
We were having a hard time
casting the mother,

364
00:15:03,281 --> 00:15:05,145
and there was somebody
I really wanted

365
00:15:05,180 --> 00:15:07,423
that the network
wouldn't approve.

366
00:15:07,458 --> 00:15:09,632
And Sandy Grushow said to
me "Mitch, this is how pilots

367
00:15:09,667 --> 00:15:11,496
"fall apart. We don't have
a mother," and

368
00:15:11,531 --> 00:15:13,257
Deborah Barylski once again,
the casting director said

369
00:15:13,291 --> 00:15:14,810
"Let's bring in
Jessica Walter."

370
00:15:14,844 --> 00:15:17,606
And she was exactly what you
see, I mean, she's just crisp

371
00:15:17,640 --> 00:15:20,885
and tight and hilarious and
mean and

372
00:15:20,920 --> 00:15:23,612
Sandy Grushow said "Okay.
She can play the mother."

373
00:15:23,646 --> 00:15:25,303
[STUTTERS] Like that.

374
00:15:25,338 --> 00:15:28,651
My grandmother was
exactly like Lucille.

375
00:15:28,686 --> 00:15:30,860
Just a gold-digging
evil person.

376
00:15:30,895 --> 00:15:32,759
God rest her soul.

377
00:15:38,903 --> 00:15:39,973
I don't even know how

378
00:15:40,008 --> 00:15:42,182
you describe a character
like Tobias.

379
00:15:42,217 --> 00:15:45,185
I don't think anyone else
could be Tobias Funke.

380
00:15:45,220 --> 00:15:47,463
You can never go wrong
with David Cross. Ever.

381
00:15:48,464 --> 00:15:51,398
[CREWMAN SPEAKING]

382
00:15:51,433 --> 00:15:54,332
Why? Seems like a waste of
time if people already know

383
00:15:54,367 --> 00:15:55,713
who I am.

384
00:15:55,747 --> 00:15:58,060
I love David Cross. I called
him and said "Any part

385
00:15:58,095 --> 00:15:59,303
"you wanna play."

386
00:15:59,337 --> 00:16:00,890
I was first talking
to Mitch about it,

387
00:16:00,925 --> 00:16:03,583
before I had even met Mitch,
talking on the phone.

388
00:16:03,617 --> 00:16:05,826
And I was hoping he
wouldn't say Michael Bluth.

389
00:16:05,861 --> 00:16:08,381
And I remember thinking
"There's no [BLEEP] way

390
00:16:08,415 --> 00:16:11,901
"that David Cross is going to
do a network television show."

391
00:16:11,936 --> 00:16:14,352
He thought about it, and he
got back to me and said

392
00:16:14,387 --> 00:16:16,078
"Uh, I think I'd like
to play Tobias."

393
00:16:16,113 --> 00:16:19,357
Tobias is a little bit of
all of us.

394
00:16:19,392 --> 00:16:22,188
He does get
the greatest lines,
but at the same time,

395
00:16:22,222 --> 00:16:23,396
he's the one who carries

396
00:16:23,430 --> 00:16:25,191
probably the
longest running joke.

397
00:16:25,225 --> 00:16:29,229
I've met a lot of Tobias'
in my life.

398
00:16:29,264 --> 00:16:31,991
Out of all the characters he
probably makes me laugh
the most.

399
00:16:32,025 --> 00:16:33,509
You see a lot of them
in Boston.

400
00:16:33,544 --> 00:16:34,890
[BUSTLING NOISE]
He lays around the house

401
00:16:34,924 --> 00:16:37,237
all day, and he says funny
lines all day long, I mean

402
00:16:37,272 --> 00:16:38,583
that's my idol.

403
00:16:38,618 --> 00:16:41,793
Some people might disagree,
but I think he's a real loser.

404
00:16:45,004 --> 00:16:48,938
There's something so blank
slate about George Michael.

405
00:16:48,973 --> 00:16:52,942
George Michael
is Michael Bluth's son...

406
00:16:52,977 --> 00:16:57,775
His mother has passed away,
and he is just
this struggling,

407
00:16:57,809 --> 00:17:00,191
conscious of the whole family.

408
00:17:00,226 --> 00:17:04,023
He embraces the fact that his
family is kind of messed up.

409
00:17:04,057 --> 00:17:06,922
But he's so soft-spoken
and good-natured that

410
00:17:06,956 --> 00:17:10,650
he can't force his conscience
on anybody else.

411
00:17:10,684 --> 00:17:13,101
George Michael is the most
lovable one of the Bluths.

412
00:17:13,135 --> 00:17:15,068
I mean, he's the only one
that really does no wrong,

413
00:17:15,103 --> 00:17:16,656
and I think they need
that one character.

414
00:17:16,690 --> 00:17:18,830
MAN: Michael Cera I had seen

415
00:17:18,865 --> 00:17:21,109
in a pilot that he'd done
years before.

416
00:17:21,143 --> 00:17:23,766
It was like, the embodiment
of sort of Woody Allen

417
00:17:23,801 --> 00:17:25,389
and a 12-year-old kid.

418
00:17:25,423 --> 00:17:28,047
You know, I don't know where
they found Michael Cera...

419
00:17:28,081 --> 00:17:31,084
We found out he's in
Brampton or something,

420
00:17:31,119 --> 00:17:34,156
in Canada. The casting
director calls me and says,

421
00:17:34,191 --> 00:17:37,780
"Great news, Michael Cera
liked the script and he

422
00:17:37,815 --> 00:17:39,403
"is willing to read for this."

423
00:17:39,437 --> 00:17:42,337
And I was like, [CHUCKLES]
He liked this? He's 14!

424
00:17:42,371 --> 00:17:44,925
Like, he's discriminating?

425
00:17:48,412 --> 00:17:50,345
My name is Alia Shawkat,

426
00:17:50,379 --> 00:17:52,554
I played Maeby Funke
on Arrested Development.

427
00:17:52,588 --> 00:17:54,176
[BLEEPING]

428
00:17:54,211 --> 00:17:56,937
Alia I cast off a photograph.

429
00:17:56,972 --> 00:17:58,905
I was actually casting another
pilot at the time,

430
00:17:58,939 --> 00:18:01,528
we were looking for a kid,
and I came across this picture

431
00:18:01,563 --> 00:18:03,979
Alia, and I put it in
this other pile
and I just like her little

432
00:18:04,013 --> 00:18:05,946
quirky look,
and her bright eyes.

433
00:18:05,981 --> 00:18:09,605
Maeby, the teenage daughter
of Tobias and Lindsay...

434
00:18:09,640 --> 00:18:12,470
She doesn't look
like either of them, so

435
00:18:12,505 --> 00:18:15,370
question marks are everywhere.

436
00:18:15,404 --> 00:18:17,303
She's like a rebellious
teenager who's

437
00:18:17,337 --> 00:18:18,994
street smart, just not
book smart.

438
00:18:19,028 --> 00:18:22,618
She's just got that confidence
through the roof, and

439
00:18:22,653 --> 00:18:23,999
nothing's gonna stop her.

440
00:18:24,033 --> 00:18:26,760
I think the narrator is like
my favorite character.

441
00:18:29,487 --> 00:18:31,558
I wound up being the narrator.

442
00:18:31,593 --> 00:18:33,112
That was kind of an accident.

443
00:18:33,146 --> 00:18:34,975
Then I got kind of,
corralled into it.

444
00:18:35,010 --> 00:18:36,874
But I was really glad
that I, that I was.

445
00:18:36,908 --> 00:18:39,187
His voice is so
pleasant to listen to.

446
00:18:39,221 --> 00:18:40,947
He's an unbelievably
creative guy,

447
00:18:40,981 --> 00:18:42,362
and a very ambitious guy.

448
00:18:42,397 --> 00:18:45,538
Here's this like, unbelievably
credited director,

449
00:18:45,572 --> 00:18:47,333
who's narrating this show.

450
00:18:47,367 --> 00:18:48,506
But he's not the narrator,

451
00:18:48,541 --> 00:18:51,716
it's Ron Howard
talking about his show.

452
00:18:51,751 --> 00:18:54,374
Ron is like
my younger brother.

453
00:18:54,409 --> 00:18:57,377
He was in favor of
all the rules that we broke.

454
00:18:57,412 --> 00:19:00,346
With Arrested Development,
you could have the narrator

455
00:19:00,380 --> 00:19:02,831
exposing the hypocrisy
of the characters.

456
00:19:02,865 --> 00:19:05,834
Or creating little jokes by
making little observations.

457
00:19:05,868 --> 00:19:07,905
He kind of almost says
what you're thinking.

458
00:19:07,939 --> 00:19:10,459
Whenever he talks,
you see his face.

459
00:19:10,494 --> 00:19:13,428
I never saw him, you know.
He was a voiceover.

460
00:19:13,462 --> 00:19:15,844
In doing the narration,
often I was doing it from

461
00:19:15,878 --> 00:19:20,089
you know, like inside the cab
of the sound man's truck,

462
00:19:20,124 --> 00:19:21,815
in Santa Fe, New Mexico.

463
00:19:21,850 --> 00:19:24,093
It really not only carried
the plot line forward,

464
00:19:24,128 --> 00:19:26,993
but added another laugh,
you know, into the mix.

465
00:19:31,929 --> 00:19:33,793
We've been huge fans
of Arrested Development

466
00:19:33,827 --> 00:19:35,450
since the series premiered.

467
00:19:35,484 --> 00:19:36,554
On the very first episode...

468
00:19:36,589 --> 00:19:37,728
Oh, I got hooked.

469
00:19:37,762 --> 00:19:39,247
-Pretty much got hooked.
-I was hooked.

470
00:19:39,281 --> 00:19:40,834
-Hooked.
-Episode one...

471
00:19:40,869 --> 00:19:42,146
We couldn't stop watching it.

472
00:19:42,181 --> 00:19:43,699
I had this really cool
teacher in high school,

473
00:19:43,734 --> 00:19:45,080
so I went up and I was
chatting with him before

474
00:19:45,114 --> 00:19:47,738
class, and I saw this strange
little white and orange box,

475
00:19:47,772 --> 00:19:49,084
and I was like, "What's this?"

476
00:19:49,118 --> 00:19:51,120
nd he's like, "That
is the greatest show
you'll ever watch."

477
00:19:51,155 --> 00:19:52,950
I'm one of those people
that had a friend...

478
00:19:52,984 --> 00:19:54,779
...who wouldn't
leave me alone about it.

479
00:19:54,814 --> 00:19:56,954
"No, no, man. Just watch
the pilot, man it's gonna be

480
00:19:56,988 --> 00:19:58,783
"so cool, you're gonna totally
get into this..."

481
00:19:58,818 --> 00:20:00,509
My friends that would watch it
would quote it to each other

482
00:20:00,544 --> 00:20:01,855
all the time
throughout the day.

483
00:20:01,890 --> 00:20:03,719
-I just made him buy the DVDs.
-Yes.

484
00:20:03,754 --> 00:20:04,962
Didn't even know
if he'd like it.

485
00:20:04,996 --> 00:20:06,066
And I wanted to be
a part of that.

486
00:20:06,101 --> 00:20:07,171
Then I heard people
talking about it...

487
00:20:07,206 --> 00:20:08,379
Everyone was talking about it.

488
00:20:08,414 --> 00:20:10,312
So we'd end up watching
five episodes that night.

489
00:20:10,347 --> 00:20:13,281
A few episodes turned into
like an eight-hour marathon.

490
00:20:13,315 --> 00:20:15,248
And by then I was
completely hooked.

491
00:20:15,283 --> 00:20:16,422
I just fell in love
from there.

492
00:20:16,456 --> 00:20:17,699
Instantly.

493
00:20:17,733 --> 00:20:20,633
And that was it.

494
00:20:20,667 --> 00:20:23,014
You want me to explain the
plot of Arrested Development?

495
00:20:23,049 --> 00:20:25,258
No, it's not possible to give
a rundown of the plot.

496
00:20:28,019 --> 00:20:29,297
[MUMBLING]

497
00:20:29,331 --> 00:20:32,748
You could encapsulate it in a
book the size of a dictionary.

498
00:20:32,783 --> 00:20:34,440
At its heart,
Arrested Development

499
00:20:34,474 --> 00:20:36,787
is a show about
family dynamics.

500
00:20:36,821 --> 00:20:39,341
And it's a show about
an adult family.

501
00:20:39,376 --> 00:20:43,138
And how damaged they are.

502
00:20:43,172 --> 00:20:45,761
That's not really what it's
about though, is it?

503
00:20:45,796 --> 00:20:49,317
Basically, it's about a, uh,
a family with a hell of a lot

504
00:20:49,351 --> 00:20:50,801
of baggage.

505
00:20:50,835 --> 00:20:55,254
That has had money, and acts
as though they still do.

506
00:20:55,288 --> 00:20:58,912
And yet one of the sons,
he's sort of the only one

507
00:20:58,947 --> 00:21:01,121
that sees the reality
of their situation.

508
00:21:01,156 --> 00:21:04,297
These are rich,
snobby bastards...

509
00:21:04,332 --> 00:21:07,024
But they're so [BLEEP] up.

510
00:21:07,058 --> 00:21:08,715
That family is probably
a lot closer to the average

511
00:21:08,750 --> 00:21:11,235
American family than, you
know, any of these other

512
00:21:11,270 --> 00:21:12,788
crap comedies that are
on television.

513
00:21:12,823 --> 00:21:14,376
It's a show about
family values.

514
00:21:14,411 --> 00:21:16,930
But in a sick, twisted,
dysfunctional way.

515
00:21:16,965 --> 00:21:19,278
-Family first.
-Family first.

516
00:21:19,312 --> 00:21:23,178
Here we have the family,
that at one point

517
00:21:23,212 --> 00:21:24,800
had everything.

518
00:21:24,835 --> 00:21:27,700
Except ethics and scruples.

519
00:21:27,734 --> 00:21:30,254
It's just about a family
that lost their money,

520
00:21:31,359 --> 00:21:35,535
and became desperate.
And needed to bond together

521
00:21:35,570 --> 00:21:38,124
to make it through
this economic storm.

522
00:21:38,158 --> 00:21:40,368
And we, the audience
and the cameras,

523
00:21:40,402 --> 00:21:42,715
follow them as they
try to, you know,

524
00:21:42,749 --> 00:21:46,270
navigate the challenges
of the less privileged.

525
00:21:47,823 --> 00:21:49,929
That's a very unfunny
way to say it.

526
00:22:03,218 --> 00:22:06,186
I think everything starts
and ends with the writing.

527
00:22:06,221 --> 00:22:09,914
It was the best writing staff
I've ever seen put together.

528
00:22:09,949 --> 00:22:13,193
They worked hard. They
really, really worked hard.

529
00:22:13,228 --> 00:22:15,713
It was a constant reinforcing
of "Wow, these guys are good."

530
00:22:15,748 --> 00:22:18,406
There's so much going on,
I mean, there's so much

531
00:22:18,440 --> 00:22:21,754
bang for your buck, every few
seconds there's a joke,

532
00:22:21,788 --> 00:22:22,962
a set-up, a joke, a set-up.

533
00:22:22,996 --> 00:22:24,860
Most of the time
on network television,

534
00:22:24,895 --> 00:22:26,690
you write to the lowest
common denominator.

535
00:22:26,724 --> 00:22:28,243
You want to please the masses.

536
00:22:28,277 --> 00:22:29,934
Arrested Development
never did that.

537
00:22:29,969 --> 00:22:31,522
It didn't care if you
got the joke or not.

538
00:22:31,557 --> 00:22:34,525
We did the show, more or less,
as Mitch wrote it.

539
00:22:34,560 --> 00:22:37,597
And had a lot of faith in our
audience to get the jokes.

540
00:22:37,632 --> 00:22:39,910
There wasn't a lot of room

541
00:22:39,944 --> 00:22:41,808
for just rambling.

542
00:22:41,843 --> 00:22:46,054
It wasn't that laugh out loud,
and once you got it,

543
00:22:46,088 --> 00:22:47,400
it was belly laughs.

544
00:22:47,435 --> 00:22:49,885
It was so quick. So quick.

545
00:22:49,920 --> 00:22:52,301
It was almost like
an Airplane!movie.

546
00:22:52,336 --> 00:22:54,545
While you're laughing,
you're missing three jokes.

547
00:22:54,580 --> 00:22:56,409
We did do more
complicated shows,

548
00:22:56,444 --> 00:22:57,928
more complicated stories,

549
00:22:57,962 --> 00:22:59,447
so they would be more
re-watchable.

550
00:22:59,481 --> 00:23:00,517
HOWARD: You know, I just

551
00:23:00,551 --> 00:23:04,141
wanted every single thing
to be funny.

552
00:23:04,175 --> 00:23:05,901
He is a perfectionist.

553
00:23:05,936 --> 00:23:09,974
He would just give you these,
you know,
brilliant lines to say

554
00:23:10,009 --> 00:23:12,321
and it was a joy. It was a joy
just to be able to say them.

555
00:23:12,356 --> 00:23:14,393
BATEMAN: Truly, every time
I wouldget a script,

556
00:23:14,427 --> 00:23:17,154
I would get up early those
mornings and read it.

557
00:23:17,188 --> 00:23:18,604
We used to call each other
and say "Oh, my God,

558
00:23:18,638 --> 00:23:20,847
"have you read this week's
script, it's so funny!"

559
00:23:20,882 --> 00:23:23,781
I've never done that before,
and I haven't done it since.

560
00:23:23,816 --> 00:23:27,992
They were dedicated
to making the best

561
00:23:28,027 --> 00:23:30,616
possible comedy on the air.

562
00:23:31,651 --> 00:23:33,791
Usually, over the course
of like a series,

563
00:23:33,826 --> 00:23:37,243
for five years you'd be lucky
to get one script that good.

564
00:23:37,277 --> 00:23:39,487
We were getting it
on a weekly basis.

565
00:23:39,521 --> 00:23:41,799
I remember people telling me
"That's not normal."

566
00:23:41,834 --> 00:23:44,250
I really wanted every
character to have a story.

567
00:23:44,284 --> 00:23:46,804
I wanted the stories
to be intertwined,

568
00:23:46,839 --> 00:23:49,945
um, and I don't
completely know why.

569
00:23:49,980 --> 00:23:51,602
Y'know, it wasn't just like

570
00:23:51,637 --> 00:23:54,053
"What's the king of queens
doing this week

571
00:23:54,087 --> 00:23:58,506
"in episode 403?"
You know, it's... [STAMMERS]
The characters don't

572
00:23:58,540 --> 00:24:01,163
really change in those shows.
And this you could see

573
00:24:01,198 --> 00:24:03,683
immediately, the characters
were gonna grow, develop.

574
00:24:03,718 --> 00:24:08,170
I just felt like that was
the challenge of this

575
00:24:08,205 --> 00:24:10,794
particular series.
I don't know what
I would have done that

576
00:24:10,828 --> 00:24:12,071
on another show.

577
00:24:15,177 --> 00:24:17,041
It's one of those shows
that rewards you

578
00:24:17,076 --> 00:24:18,560
for paying attention.

579
00:24:18,595 --> 00:24:21,425
Who think three years ahead
in the arch of their comedy?

580
00:24:21,460 --> 00:24:23,669
Well, Mitch does.
Very few other writers can.

581
00:24:23,703 --> 00:24:25,464
I loved the kinds of shows

582
00:24:25,498 --> 00:24:28,708
that you could watch
and look for detail,

583
00:24:28,743 --> 00:24:30,572
and try to put the pieces
together yourself.

584
00:24:30,607 --> 00:24:32,747
I loved being
a little bit behind.

585
00:24:32,781 --> 00:24:34,921
There were a few times on
screen where there weren't

586
00:24:34,956 --> 00:24:37,234
multiple levels of comedy
going on.

587
00:24:37,268 --> 00:24:40,202
You really have to think,
and be paying attention

588
00:24:40,686 --> 00:24:42,481
to get it.

589
00:24:42,515 --> 00:24:45,276
You really had to,
you know, focus.

590
00:24:45,311 --> 00:24:48,348
Because there's a hidden gem
in every episode.

591
00:24:48,383 --> 00:24:51,697
Every time I watch the show,
I pick up something new.

592
00:24:51,731 --> 00:24:55,563
There are so many jokes on a
joke on a joke on a joke...

593
00:24:55,597 --> 00:24:57,565
...and they don't care.
If you can't keep up

594
00:24:57,599 --> 00:24:58,807
you'll have to watch it again.

595
00:24:58,842 --> 00:25:01,948
And all the pieces
fit together.
There's not a point where

596
00:25:01,983 --> 00:25:03,847
it just doesn't make sense,
or it's out of sync.

597
00:25:03,881 --> 00:25:05,434
They all kind of
fall into place.

598
00:25:05,469 --> 00:25:08,230
The running jokes were used
in so many different contexts,

599
00:25:08,265 --> 00:25:10,060
that they really didn't have
a chance to get old.

600
00:25:10,094 --> 00:25:11,855
Some of them are so far
ahead, like, you're like,

601
00:25:11,889 --> 00:25:13,063
"Okay, where is that going?"

602
00:25:13,097 --> 00:25:14,858
And when you get there,
it's such, like, a payoff.

603
00:25:14,892 --> 00:25:18,482
To write a sitcom and put in
jokes that you're gonna payoff

604
00:25:18,517 --> 00:25:20,484
four episodes later...

605
00:25:20,519 --> 00:25:23,176
That's really, you gotta
really have stones to do that.

606
00:25:23,211 --> 00:25:25,765
Sitcoms traditionally

607
00:25:25,800 --> 00:25:29,079
work in a fairly
methodical way.

608
00:25:29,113 --> 00:25:31,564
ANTHONY: Television
is typically sort of
a less focused

609
00:25:31,599 --> 00:25:34,118
format as far as
an audience goes.

610
00:25:34,153 --> 00:25:36,396
You know, you can be
a little distracted,

611
00:25:36,431 --> 00:25:38,709
you can be checking to see if
your kid's done the homework,

612
00:25:38,744 --> 00:25:41,056
or, you know,
you can pay bills.

613
00:25:41,091 --> 00:25:43,196
And for the most part,
you could not do that

614
00:25:43,231 --> 00:25:44,473
with Arrested Development.

615
00:25:44,508 --> 00:25:46,786
It really required
your full attention.

616
00:25:46,821 --> 00:25:49,168
That is not the average way
that people watch television.

617
00:25:55,484 --> 00:25:59,419
It was hell to make because
each one's kinda like a movie.

618
00:25:59,454 --> 00:26:03,182
I knew it was
completely different,
than anything that...

619
00:26:03,216 --> 00:26:05,771
That we'd really seen on
American television.

620
00:26:05,805 --> 00:26:08,636
We wanted to feel like
The Osbournes, like

621
00:26:08,670 --> 00:26:12,294
a reality show, a camera guy,
and a sound guy

622
00:26:12,329 --> 00:26:13,917
walking around
following people.

623
00:26:13,951 --> 00:26:15,643
We didn't want it to
feel very produced.

624
00:26:15,677 --> 00:26:18,093
Basically, it was
a handheld show.

625
00:26:18,128 --> 00:26:21,269
Serve low production value,
simple cameras...

626
00:26:21,303 --> 00:26:23,167
We were shooting
fast and furious,

627
00:26:23,202 --> 00:26:25,825
especially at first. Uh,
no lighting to speak of.

628
00:26:25,860 --> 00:26:27,620
We were just shooting
off the hip.

629
00:26:27,655 --> 00:26:29,691
Mitch didn't like to limit
the show by having to shoot

630
00:26:29,726 --> 00:26:31,313
all of it in the house...

631
00:26:31,348 --> 00:26:33,661
So every episode we were out
in a car, driving around...

632
00:26:33,695 --> 00:26:35,455
But it drew you in too.

633
00:26:35,490 --> 00:26:37,216
It's like you were actually following these guys.

634
00:26:37,250 --> 00:26:39,425
BATEMAN: There was a style
to shooting it

635
00:26:39,459 --> 00:26:42,014
that was supposed
to be very real.

636
00:26:42,048 --> 00:26:44,672
In fact, I think that was
sort of

637
00:26:44,706 --> 00:26:47,364
the motto in the first year
you'd come to shoot.

638
00:26:47,398 --> 00:26:49,504
No, no, no horse [BLEEP].

639
00:26:49,538 --> 00:26:51,195
We even put on the breakdown

640
00:26:51,230 --> 00:26:53,784
that goes out
to actor's agents
when actors are auditioning,

641
00:26:53,819 --> 00:26:55,717
"This is how we're gonna
make it, so you better be

642
00:26:55,752 --> 00:26:58,962
"comfortable with it.
You're not gonna have
a giant trailer,

643
00:26:58,996 --> 00:27:00,895
"we'll try to have decent
hair and makeup

644
00:27:00,929 --> 00:27:02,172
"so you don't
look like [BLEEP].

645
00:27:02,206 --> 00:27:03,898
"But other than that,
you gotta be in tune

646
00:27:03,932 --> 00:27:07,039
"with the kind of, very loose
filmmaking style."

647
00:27:07,073 --> 00:27:09,179
They would say
"Do a chicken dance."

648
00:27:09,213 --> 00:27:12,700
And you would have to do
your chicken dance.

649
00:27:12,734 --> 00:27:14,253
You know, [CLUCKS] I mean...

650
00:27:14,287 --> 00:27:16,531
You know, and everybody...
I think Will's chicken dance

651
00:27:16,565 --> 00:27:17,808
was the best.

652
00:27:17,843 --> 00:27:20,155
I was always encouraging
everybody to shoot
with two cameras.

653
00:27:20,190 --> 00:27:21,881
We'd come up with all these
rules for the cameras,

654
00:27:21,916 --> 00:27:24,643
and how the cameras
were to act, and

655
00:27:24,677 --> 00:27:26,403
have their own personality.

656
00:27:26,437 --> 00:27:29,648
ANTHONY: And so we wanted to kind of capitalize on that,

657
00:27:29,682 --> 00:27:32,202
and sort of play to the idea
that we were sort of

658
00:27:32,236 --> 00:27:35,619
flies on the wall,
watching this family's
travails unfold.

659
00:27:35,654 --> 00:27:40,072
You by yourself a lot of time
to experiment.

660
00:27:40,106 --> 00:27:43,489
Actors could improvise,
comedy writers could rewrite.

661
00:27:43,523 --> 00:27:45,836
We'd send operators onto
the set without seeing

662
00:27:45,871 --> 00:27:50,565
a rehearsal and they'd end
up banging into each other

663
00:27:50,599 --> 00:27:52,809
but they would get
the most amazing stuff.

664
00:27:52,843 --> 00:27:54,638
We were able to move
very quickly in keeping with

665
00:27:54,673 --> 00:27:57,261
the whole
psuedo-documentary style.

666
00:27:57,296 --> 00:27:59,885
I remember Joe Russo turning
to me one time and saying

667
00:27:59,919 --> 00:28:00,955
"Jimmy, can you believe

668
00:28:00,989 --> 00:28:02,784
"they're letting us
do this [BLEEP]?"

669
00:28:02,819 --> 00:28:04,821
I knew that we were following
the beat of our own drummer,

670
00:28:04,855 --> 00:28:08,721
and that it was gonna feel
very different than
any other show.

671
00:28:08,756 --> 00:28:11,620
And secretly I was always
wishing I could direct

672
00:28:11,655 --> 00:28:14,554
an episode...
But I never had a chance to.

673
00:28:14,589 --> 00:28:17,040
Nowadays in television
it's not surprising,
because a lot of

674
00:28:17,074 --> 00:28:19,801
shows look like this now,
but at the time,

675
00:28:19,836 --> 00:28:23,115
for a scripted show,
it was unconventional

676
00:28:23,149 --> 00:28:25,842
to look as bad as
Arrested Developmentlooked.

677
00:28:28,430 --> 00:28:29,604
[BIRDS CHIRPING]

678
00:28:29,638 --> 00:28:32,055
WOMAN: Franklin. Do you
remember one of his sayings?

679
00:28:33,297 --> 00:28:34,816
It ain't easy being white.

680
00:28:36,300 --> 00:28:39,372
BOTH: ♪ It ain't easy being white! ♪

681
00:28:39,407 --> 00:28:43,549
Franklin is one of
the greatest characters
on the show.

682
00:28:43,583 --> 00:28:46,759
♪ It ain't easy being brown ♪

683
00:28:46,794 --> 00:28:48,934
This is Gob's big idea

684
00:28:48,968 --> 00:28:50,936
for racial harmony.

685
00:28:50,970 --> 00:28:53,455
♪ All the pressure
to be bright ♪

686
00:28:53,490 --> 00:28:55,595
MAN: It's this puppet
that sings

687
00:28:55,630 --> 00:28:57,632
this highly offensive song.

688
00:28:57,666 --> 00:29:00,842
♪ I got children
all over town! ♪

689
00:29:00,877 --> 00:29:04,846
That was used in an act that,
that Whitey wasn't quite

690
00:29:04,881 --> 00:29:06,434
ready for and...

691
00:29:06,468 --> 00:29:08,401
My name is Justin Grant Wade,

692
00:29:08,436 --> 00:29:10,334
and I played Steve Holt.

693
00:29:10,369 --> 00:29:11,611
-Steve Holt!
-Steve Holt!

694
00:29:11,646 --> 00:29:12,854
BOTH: Steve Holt!

695
00:29:12,889 --> 00:29:16,789
He's just a, uh, fun guy.
Uh, definitely likes himself.

696
00:29:16,824 --> 00:29:20,862
My name is Mae Whitman.
I played Anne Paul Veal.

697
00:29:20,897 --> 00:29:23,037
Nobody could figure out why
George Michael liked her.

698
00:29:23,071 --> 00:29:24,107
You know "her?"

699
00:29:24,141 --> 00:29:26,661
WHITMAN: She's sort of, plain.

700
00:29:26,695 --> 00:29:29,457
And let me just add
that I was wearing a fat suit
on the show.

701
00:29:29,491 --> 00:29:30,803
People always come up to me
and they're like,

702
00:29:30,838 --> 00:29:33,150
"God, you look great!
Jeez, you've lost
a bunch of weight."

703
00:29:33,185 --> 00:29:35,152
You know, we had just
fabulous guest stars

704
00:29:35,187 --> 00:29:36,705
on the show.

705
00:29:36,740 --> 00:29:38,846
My name is Justin Lee,
and the character I played

706
00:29:38,880 --> 00:29:40,537
is, uh, Annyong Bluth.

707
00:29:40,571 --> 00:29:43,160
Lucille adopts a son
from Korea. [GIGGLES]

708
00:29:43,195 --> 00:29:46,232
"Annyong"in Korean
means "Hello."

709
00:29:46,267 --> 00:29:49,511
And the only thing that I ever say for the next few episodes

710
00:29:49,546 --> 00:29:50,719
is"Annyong."

711
00:29:50,754 --> 00:29:52,169
They keep saying annyongto
him and so he just keeps

712
00:29:52,204 --> 00:29:53,412
saying it back to them...

713
00:29:53,446 --> 00:29:55,310
Then, that... That became
my name, Annyong.

714
00:29:55,345 --> 00:29:56,864
My wife and I use it
all the time.

715
00:29:56,898 --> 00:29:58,382
We just go [MOCK VOICE]
Annyong!

716
00:29:58,417 --> 00:29:59,901
-Annyong!
-Annyong.

717
00:29:59,936 --> 00:30:01,523
-Annyong.
-Annyong?

718
00:30:01,558 --> 00:30:02,801
Annyong!

719
00:30:02,835 --> 00:30:05,838
My name is David Reynolds,
I got to play the, uh,

720
00:30:05,873 --> 00:30:07,875
character of White Power Bill.

721
00:30:07,909 --> 00:30:10,636
I would like to say that
he's like probably
a retarded racist

722
00:30:10,670 --> 00:30:13,466
because like the only person
he attacks in the film

723
00:30:13,501 --> 00:30:14,882
are like, white people.

724
00:30:14,916 --> 00:30:16,642
[GRUMBLING] White Power!

725
00:30:17,574 --> 00:30:20,059
[CREW MEMBER CHUCKLES]

726
00:30:20,094 --> 00:30:22,544
The first big get was
Liza Minnelli.

727
00:30:22,579 --> 00:30:25,582
I was able to hear that
somebody was interested in

728
00:30:25,616 --> 00:30:28,067
doing the show and then
write it right for them.

729
00:30:28,102 --> 00:30:30,000
-Julia Louis-Dreyfus
-Zach Braff.

730
00:30:30,035 --> 00:30:31,139
Amy Poehler.

731
00:30:31,174 --> 00:30:32,382
We all knew it was pretty
special when they got some

732
00:30:32,416 --> 00:30:33,728
heavy hitters.

733
00:30:33,762 --> 00:30:35,834
-Charlize Theron.
-Ben Stiller.

734
00:30:35,868 --> 00:30:37,766
-Carl Weathers.
-Carl Weathers!

735
00:30:37,801 --> 00:30:39,941
When you have
people of that caliber,

736
00:30:39,976 --> 00:30:44,049
it just, as a writer, it just
forces you to do better.

737
00:30:44,083 --> 00:30:45,705
We gotta do better,
we gotta do better.

738
00:30:45,740 --> 00:30:47,535
And then there were people
we were never able to get in

739
00:30:47,569 --> 00:30:48,950
that said they'd be
willing to do it.

740
00:30:48,985 --> 00:30:50,538
Ricky Gervais said he'd be
willing to do it.

741
00:30:50,572 --> 00:30:52,885
Sacha Baron Cohen
I desperately wanted.

742
00:30:52,920 --> 00:30:54,749
We also heard at one point
that Christopher Walken

743
00:30:54,783 --> 00:30:56,233
was willing to be in the show.

744
00:30:58,684 --> 00:31:01,721
I'm Ed Begley
and I played Stan Sitwell.

745
00:31:01,756 --> 00:31:03,171
He has physical
characteristics that are

746
00:31:03,206 --> 00:31:04,379
quite unusual.

747
00:31:04,414 --> 00:31:06,623
Stan Sitwell couldn't grow
his own hair because

748
00:31:06,657 --> 00:31:08,142
-he had, what?
-BOTH: Alopecia?

749
00:31:11,870 --> 00:31:14,769
So he doesn't want to go
au naturel,

750
00:31:14,803 --> 00:31:16,288
doesn't want to go
for the bald look.

751
00:31:16,322 --> 00:31:18,911
He's got different eyebrows
that he moves around.

752
00:31:18,946 --> 00:31:21,431
Well, he doesn't intend
to move them around,
but they do.

753
00:31:21,465 --> 00:31:24,675
It is a disturbing character
that he ended up creating.

754
00:31:24,710 --> 00:31:26,401
My name is Andy Richter...

755
00:31:26,436 --> 00:31:28,956
I remember we had Andy
play himself...

756
00:31:28,990 --> 00:31:32,752
But the guy on set started to
really push me and be like,

757
00:31:32,787 --> 00:31:36,308
no, no, no. I want you
to do it as if you're like,
you know...

758
00:31:36,342 --> 00:31:38,620
You're a big fat guy
that just wants to eat.

759
00:31:38,655 --> 00:31:41,658
And I said "Oh, you mean the
old fatty loves to eat joke?

760
00:31:41,692 --> 00:31:43,798
"You want me to be
a big fat [BLEEP] loser

761
00:31:43,832 --> 00:31:46,283
"who just wants to [BLEEP]
fill his fat [BLEEP] face?"

762
00:31:47,319 --> 00:31:49,390
And the guy went
"Yeah, that's what I want."

763
00:31:49,424 --> 00:31:51,910
Andy had just done a show
for Fox called Quintuplets.

764
00:31:51,944 --> 00:31:53,014
Google it.

765
00:31:53,049 --> 00:31:54,809
And I don't know if it was
his idea, but a writer

766
00:31:54,843 --> 00:31:56,293
on the show, Jim Vallely...

767
00:31:56,328 --> 00:31:58,951
There was something about
me being on the show

768
00:31:58,986 --> 00:32:01,264
that he found
endlessly amusing.

769
00:32:01,298 --> 00:32:02,679
I called up Mitch Hurwitz,

770
00:32:02,713 --> 00:32:04,163
and he goes "Well, we
already had him on the show,

771
00:32:04,198 --> 00:32:05,785
"as Andy Richter." I go,
"But what if the teacher's

772
00:32:05,820 --> 00:32:08,340
"Andy Richter's twin brother?"

773
00:32:08,374 --> 00:32:10,894
I do remember one of them's
name's was Chareth.

774
00:32:10,929 --> 00:32:13,966
And then Mitch goes,
"What if he's one of

775
00:32:14,001 --> 00:32:16,037
"Andy Richter's
quintuplet brothers?"

776
00:32:16,072 --> 00:32:18,867
But Quintupletsfailed too,
I dunno maybe it's just me.

777
00:32:18,902 --> 00:32:21,146
Maybe I'm, you know,
showbiz cancer.

778
00:32:21,870 --> 00:32:23,217
I like Barry Zuckerkorn.

779
00:32:23,251 --> 00:32:25,840
Barry Zuckerkorn the
complete idiot attorney.

780
00:32:25,874 --> 00:32:27,048
He's very good.

781
00:32:27,083 --> 00:32:29,637
I just want to say,
I am in a shirt and tie,

782
00:32:29,671 --> 00:32:33,123
because Barry was
very well-dressed.

783
00:32:33,158 --> 00:32:36,609
When I heard that Henry was
going to be on the show,

784
00:32:36,644 --> 00:32:38,542
I was in heaven.

785
00:32:38,577 --> 00:32:42,167
WINKLER: The best part of playing Barry was his ties.

786
00:32:42,201 --> 00:32:44,065
I got to keep some of them.

787
00:32:44,100 --> 00:32:46,067
This is not it... But...

788
00:32:46,102 --> 00:32:48,897
He's clearly the worst
lawyer ever.

789
00:32:48,932 --> 00:32:50,796
He's so gross and creepy.

790
00:32:50,830 --> 00:32:53,488
He has no idea how
the judicial system works.

791
00:32:53,523 --> 00:32:56,077
His character is so unlike
what he's known for.

792
00:32:56,112 --> 00:32:58,597
And for him to have been,
at one point,

793
00:32:58,631 --> 00:33:01,496
the coolest guy in the world
as The Fonz...

794
00:33:01,531 --> 00:33:05,155
The biggest problem he's got
is he has no idea

795
00:33:05,190 --> 00:33:07,192
what his sexuality is.

796
00:33:07,226 --> 00:33:08,607
Probably next to the Fonz,

797
00:33:08,641 --> 00:33:10,505
I think, I bet
it's his favorite character.

798
00:33:10,540 --> 00:33:14,199
He believes he might have a
vagina, but he's actually

799
00:33:14,233 --> 00:33:16,615
never said that to anybody.

800
00:33:16,649 --> 00:33:19,998
The weirder his guy got,
the happier Henry was.

801
00:33:20,032 --> 00:33:22,448
Mitch and the writers
paid homage to

802
00:33:22,483 --> 00:33:24,519
Happy Days,
or the Fonz, twice.

803
00:33:24,554 --> 00:33:26,038
'Cause, you know, the episode
where he's in the bathroom,

804
00:33:26,073 --> 00:33:27,384
and they're having a
conversation in the bathroom,

805
00:33:27,419 --> 00:33:29,076
and he turns to the mirror
and he's like,

806
00:33:29,110 --> 00:33:32,458
"Hey." And I looked
at my hair, and went,

807
00:33:32,493 --> 00:33:33,735
"Pfft, I don't have
to comb it."

808
00:33:33,770 --> 00:33:37,256
You're like [BLEEP]
that is so brilliant!

809
00:33:37,291 --> 00:33:40,570
Then the second is I am
the only actor

810
00:33:40,604 --> 00:33:43,090
in the world

811
00:33:43,124 --> 00:33:45,299
who has
jumped the shark twice.

812
00:33:49,130 --> 00:33:51,305
The history of jump the shark
is, there was a scene

813
00:33:51,339 --> 00:33:54,446
in Happy Days where Fonzie,
played by Henry Winkler,

814
00:33:54,480 --> 00:33:57,242
was in a leather jacket

815
00:33:57,276 --> 00:34:00,383
on water skis, going to
jump over a shark,

816
00:34:00,417 --> 00:34:02,143
and Ron Howard,
Richard Cunningham

817
00:34:02,178 --> 00:34:03,627
was driving the boat.

818
00:34:03,662 --> 00:34:06,251
And that's the quintessential
point where it's like,
"Come on!"

819
00:34:06,285 --> 00:34:07,907
'Cause that's what
jump the shark is.

820
00:34:07,942 --> 00:34:10,945
Jump the shark is that
the producers have sold out.

821
00:34:10,979 --> 00:34:13,223
And it gave birth, really,
to the phrase. And so

822
00:34:13,258 --> 00:34:14,569
you take that metaphor,

823
00:34:14,604 --> 00:34:16,847
and you apply it
to any television show...

824
00:34:16,882 --> 00:34:19,747
AMODEO: We did
a cross promotional episode
with Burger King

825
00:34:19,781 --> 00:34:22,474
which is just sort of
absurd for a show like

826
00:34:22,508 --> 00:34:23,613
Arrested Development.

827
00:34:23,647 --> 00:34:25,477
When you talk about
Arrested Development,

828
00:34:25,511 --> 00:34:28,066
with respect to
jumping the shark,

829
00:34:28,100 --> 00:34:29,446
I could talk for hours.

830
00:34:29,481 --> 00:34:32,346
Buster gets his hand
bitten off by a seal.

831
00:34:32,380 --> 00:34:35,659
We made it a seal 'cause that
rhymed with Lucille's name.

832
00:34:35,694 --> 00:34:39,249
They eventually find, um,
a shark who they think

833
00:34:39,284 --> 00:34:40,354
ate the seal...

834
00:34:40,388 --> 00:34:42,252
Okay, now we gotta get
Henry Winkler down there...

835
00:34:42,873 --> 00:34:45,669
And I jumped over it.

836
00:34:45,704 --> 00:34:47,361
If you didn't know that
that's where the term

837
00:34:47,395 --> 00:34:49,121
came from, it would
totally be lost on you.

838
00:34:49,156 --> 00:34:50,709
And I was like... "Oh, my God,

839
00:34:50,743 --> 00:34:52,952
"did they really just do that?
Oh... Wow."

840
00:34:52,987 --> 00:34:54,851
Without having to say a word,
just the subtle look

841
00:34:54,885 --> 00:34:56,508
at the shark... jump over it.

842
00:34:56,542 --> 00:34:58,130
But the joke's not done yet,

843
00:34:58,165 --> 00:35:02,065
because there's no other
meaning of jump the shark.

844
00:35:02,100 --> 00:35:05,068
It should be in an episode
where we jump the shark.

845
00:35:05,103 --> 00:35:07,105
So we actually shot a scene
in a Burger King.

846
00:35:07,139 --> 00:35:09,003
We all got commitment
to Burger King.

847
00:35:09,037 --> 00:35:11,385
'Cause they put our name
on their little table tents.

848
00:35:11,419 --> 00:35:14,802
And then the punctuation point
on it was Henry's line,

849
00:35:14,836 --> 00:35:17,736
"Going off to Burger King
and jumping the shark."

850
00:35:17,770 --> 00:35:18,909
I don't think
Arrested Development

851
00:35:18,944 --> 00:35:20,118
ever jumped the shark.
I don't think

852
00:35:20,152 --> 00:35:22,085
it was on long enough.
I think they got out,

853
00:35:22,120 --> 00:35:23,776
whether they wanted to
or not, they got out at

854
00:35:23,811 --> 00:35:25,019
the right time.

855
00:35:25,053 --> 00:35:26,710
Sometimes, like that
whole thing came

856
00:35:26,745 --> 00:35:28,402
together for that joke.

857
00:35:31,336 --> 00:35:34,235
I knew that Winkler
was the attorney,

858
00:35:34,270 --> 00:35:36,030
and you know it was
one of those things I just

859
00:35:36,064 --> 00:35:38,860
didn't quite do the math.

860
00:35:40,448 --> 00:35:45,177
I am Scott Baio and I pay...
[CHUCKLES]

861
00:35:45,212 --> 00:35:47,938
I am Scott Baio and I play
Bob Loblaw.

862
00:35:47,973 --> 00:35:50,320
It was a good choice after
having Barry Zuckerkorn.

863
00:35:50,355 --> 00:35:54,704
I was sort of the, um,
younger Fonzie?

864
00:35:54,738 --> 00:35:56,637
You know, in retrospect it
seemed natural that I would

865
00:35:56,671 --> 00:35:57,983
just take his place.

866
00:35:58,017 --> 00:36:01,538
I actually liked a guest
character solely for his name.

867
00:36:01,573 --> 00:36:03,161
And that of course would be
Scott Baio.

868
00:36:04,300 --> 00:36:07,026
Well, uh, first of all,

869
00:36:07,061 --> 00:36:09,995
when they sent me
the script, and...

870
00:36:10,029 --> 00:36:13,101
I'm from New York,
and my accent

871
00:36:13,136 --> 00:36:14,862
got in the way of the names.

872
00:36:14,896 --> 00:36:17,451
So I looked at it and said
Bob Loblaw. And...

873
00:36:17,485 --> 00:36:19,280
I was doing the scene
with Bateman,

874
00:36:19,315 --> 00:36:21,834
and he said, "Here's our
attorney Bob Loblaw."

875
00:36:21,869 --> 00:36:24,285
And I went, "That's the name?"

876
00:36:24,320 --> 00:36:26,563
I was so completely thrown
out of the scene by

877
00:36:26,598 --> 00:36:27,909
him saying that.

878
00:36:27,944 --> 00:36:30,636
Why would you name
a character Bob Loblaw?

879
00:36:30,671 --> 00:36:33,087
Simply so you could say,
"Blah, blah, blah."

880
00:36:33,121 --> 00:36:35,641
-Bob Loblaw.
-Bob Loblaw.

881
00:36:35,676 --> 00:36:38,230
So I think in the end
they agreed to

882
00:36:38,265 --> 00:36:40,681
Bob Loblaw.

883
00:36:40,715 --> 00:36:43,270
No. Bob Loblaw.

884
00:36:43,304 --> 00:36:44,892
Yeah.

885
00:36:44,926 --> 00:36:46,687
It just became a,
just a big joke.

886
00:36:46,721 --> 00:36:48,206
And without him
there would be no

887
00:36:48,240 --> 00:36:50,863
-Bob Loblaw's Law Blog.
-Bob Loblaw's Law Blog.

888
00:36:50,898 --> 00:36:52,589
Bob Loblaw's Law Blog.

889
00:36:52,624 --> 00:36:55,247
But I knew going in that
it would be, uh,

890
00:36:56,352 --> 00:37:00,114
just nuts. And it was.

891
00:37:03,324 --> 00:37:05,292
It almost seems very improv'd.

892
00:37:05,326 --> 00:37:08,571
I don't know how much improv
they did on the actual show...

893
00:37:08,605 --> 00:37:11,229
We heard that a lot, uh.
Pretty consistently.

894
00:37:11,263 --> 00:37:14,404
And there's no better
testament to the writers,

895
00:37:14,439 --> 00:37:17,580
uh, than... The fact
that people think that.

896
00:37:17,614 --> 00:37:19,961
They didn't need to improvise.
They didn't want to improvise.

897
00:37:19,996 --> 00:37:21,204
The writing was so good.

898
00:37:21,239 --> 00:37:23,171
It was supposed to sound
like we were improvising.

899
00:37:23,206 --> 00:37:26,174
The show looks spontaneous.

900
00:37:27,728 --> 00:37:30,903
But it's so unbelievably
not spontaneous.

901
00:37:30,938 --> 00:37:32,836
The words were very good.

902
00:37:32,871 --> 00:37:35,183
You don't want to fix
something that isn't broken.

903
00:37:35,218 --> 00:37:38,014
It was such a, uh, a dense
show as well,

904
00:37:38,048 --> 00:37:41,673
in terms of just pure volume
of script-age.

905
00:37:41,707 --> 00:37:43,537
That you knew that if you
improvised too much

906
00:37:43,571 --> 00:37:45,021
most of it wouldn't get
in the show anyway.

907
00:37:45,055 --> 00:37:48,231
Although, we weren't
discouraged.

908
00:37:48,266 --> 00:37:50,820
Once we would get a scene
done, as written,

909
00:37:50,854 --> 00:37:53,650
sometimes we would
say different stuff.

910
00:37:53,685 --> 00:37:54,996
Different jokes.

911
00:37:55,031 --> 00:37:57,654
The comedy was very specific.

912
00:37:57,689 --> 00:38:00,830
The dialogue had to be
delivered pretty much on book.

913
00:38:00,864 --> 00:38:03,211
A lot of improv took place
on the set.

914
00:38:03,246 --> 00:38:06,076
HALE: We would improv
some stuff and Mitch would

915
00:38:06,111 --> 00:38:08,424
be like "What do you think?"
And just, it wasn't as funny

916
00:38:08,458 --> 00:38:09,735
as what's in the script.

917
00:38:09,770 --> 00:38:12,842
The cameras were
connected to Mitch's office.

918
00:38:12,876 --> 00:38:15,879
And if he didn't hear
what he wanted to hear,

919
00:38:15,914 --> 00:38:19,504
if I thought I was being
funny [CHUCKLES]
off the script,

920
00:38:19,538 --> 00:38:21,091
he would all of a sudden
appear in front of me,

921
00:38:21,126 --> 00:38:22,472
like a genie.

922
00:38:22,507 --> 00:38:26,062
When all of production
and all the guys
are not sitting around

923
00:38:26,096 --> 00:38:27,822
and hanging out outside
in their trucks,

924
00:38:27,857 --> 00:38:29,376
and they're all on stage,

925
00:38:29,410 --> 00:38:30,756
watching the action,

926
00:38:30,791 --> 00:38:32,586
You know that
there was something going on.

927
00:38:32,620 --> 00:38:35,347
-But the only time that we
would improv...
-[SIRENS WAILING]

928
00:38:35,382 --> 00:38:38,488
would be... [BLEEP]
ambulance, right?

929
00:38:38,523 --> 00:38:40,421
[BLEEP] people dying.

930
00:38:40,456 --> 00:38:41,905
When you've got guys
like David Cross,

931
00:38:41,940 --> 00:38:45,012
and Will Arnett and all
these guys going for it,

932
00:38:45,046 --> 00:38:46,600
you're gonna get
hilarious stuff.

933
00:38:46,634 --> 00:38:48,464
It's something I can't
even help, it's almost

934
00:38:48,498 --> 00:38:51,087
like a form of Tourette's,
where you just can't shut up.

935
00:38:51,121 --> 00:38:52,330
Let well enough be...

936
00:38:52,364 --> 00:38:54,297
I wonder what kind of show
you could put together

937
00:38:54,332 --> 00:38:56,437
with all the cut footage.

938
00:38:57,058 --> 00:38:58,922
Find that.

939
00:38:58,957 --> 00:39:01,822
Find that footage.
You know how you do that?

940
00:39:02,547 --> 00:39:04,065
Follow the money.

941
00:39:05,481 --> 00:39:06,861
Follow the money.

942
00:39:11,556 --> 00:39:13,351
[CHUCKLES] One of my
favorite moments was

943
00:39:13,385 --> 00:39:16,526
Michael Cera walking
the Red Carpet

944
00:39:16,561 --> 00:39:19,633
and all you can hear is
"Michael, Cera, Michael Cera.

945
00:39:19,667 --> 00:39:22,049
"Michael, Cera." And he's like
"What the [BLEEP]?"

946
00:39:22,083 --> 00:39:24,741
And then he realizes that
he's right in between

947
00:39:24,776 --> 00:39:27,088
Michael Douglas and
Sarah Jessica Parker.

948
00:39:27,123 --> 00:39:28,883
And so [LAUGHING] the
photographers are

949
00:39:28,918 --> 00:39:30,264
yelling "Michael, Sarah!"

950
00:39:30,298 --> 00:39:33,060
-CREWMAN: Is that for real?
-Yeah, that's a true story.

951
00:39:33,094 --> 00:39:34,579
No, I lied.

952
00:39:39,653 --> 00:39:43,242
They won the Best Comedy
first year, out of the box.

953
00:39:43,277 --> 00:39:44,658
And I was elated,
'cause I thought, you know,

954
00:39:44,692 --> 00:39:45,797
-That's it!
-And it was

955
00:39:45,831 --> 00:39:47,074
really like, out of nowhere.

956
00:39:47,108 --> 00:39:49,283
They were clearly
all surprised.

957
00:39:49,317 --> 00:39:51,043
Wasn't that incredible?

958
00:39:51,078 --> 00:39:52,942
That Emmy?

959
00:39:52,976 --> 00:39:55,669
When the show won the Emmys...

960
00:39:55,703 --> 00:39:59,327
...it was gratifying
and sort of, uh,
encouraging and affirming.

961
00:39:59,362 --> 00:40:00,605
That was an awesome night.

962
00:40:00,639 --> 00:40:01,985
That was an awesome night.

963
00:40:02,020 --> 00:40:03,435
It was like
the craziest sensation.

964
00:40:03,470 --> 00:40:04,781
The craziest victory.

965
00:40:04,816 --> 00:40:07,508
I don't think we'll ever have
an experience like that night.

966
00:40:07,543 --> 00:40:11,098
It was such
an incredible feeling.

967
00:40:11,132 --> 00:40:13,307
And hey, I've won tons
of Emmys

968
00:40:13,341 --> 00:40:16,275
before, but that Emmy.
No, I haven't...

969
00:40:16,310 --> 00:40:19,209
I remember Ellen DeGeneres
saying it, and the words

970
00:40:19,244 --> 00:40:21,798
came out, and
I remember jumping up!

971
00:40:21,833 --> 00:40:23,455
It was a great moment
for Mitch.

972
00:40:23,490 --> 00:40:25,250
It was a great moment
for the writing staff.

973
00:40:25,284 --> 00:40:26,354
It was a great validation.

974
00:40:26,389 --> 00:40:28,667
Mitch Hurwitz and those
speeches at the Emmys...

975
00:40:28,702 --> 00:40:31,877
We found out that Hurwitz
is actually one of the best

976
00:40:31,912 --> 00:40:34,708
Emmy speech givers
in Emmy history.

977
00:40:34,742 --> 00:40:36,468
It was probably the best
acceptance speech

978
00:40:36,503 --> 00:40:37,918
I've ever heard.

979
00:40:37,952 --> 00:40:39,264
HOWARD: You know,
kind of as funny
as anything you'd ever see

980
00:40:39,298 --> 00:40:40,714
on the show.

981
00:40:40,748 --> 00:40:42,819
He was like "All right, great!
Now watch it!"

982
00:40:42,854 --> 00:40:44,234
He was kind of brilliant,
wasn't he?

983
00:40:48,135 --> 00:40:49,964
I'll get myself
in trouble here.

984
00:40:50,896 --> 00:40:52,242
Hmm...

985
00:40:52,277 --> 00:40:54,003
The night we won the Emmy,

986
00:40:54,037 --> 00:40:57,282
I saw Gail Berman, and she was then the president of Fox Entertainment,

987
00:40:57,316 --> 00:41:01,010
and she showed me an email
that, on her BlackBerry,

988
00:41:01,044 --> 00:41:02,667
that she had gotten
from Peter Chernin, her boss.

989
00:41:02,701 --> 00:41:04,531
She had texted him
"Arrested Development

990
00:41:04,565 --> 00:41:06,843
"just won." And what he wrote
back was "Oh, [BLEEP]."

991
00:41:06,878 --> 00:41:10,329
As sort of the way that the
awards and nominations

992
00:41:10,364 --> 00:41:13,229
kind of went out in the
schedule, it would often

993
00:41:13,263 --> 00:41:17,198
coincide with the schedule of
having to give producers

994
00:41:17,233 --> 00:41:18,890
notice of whether they need
to write more scripts.

995
00:41:18,924 --> 00:41:20,512
And she said
"Can you believe it?"

996
00:41:20,547 --> 00:41:23,377
I said, "Gail, that's not...
Holy [BLEEP]!"

997
00:41:23,411 --> 00:41:24,689
"Oh, sure it is!"
"No, he's... He's

998
00:41:24,723 --> 00:41:27,208
"blown away." said no,
that's "Oh, [BLEEP]."

999
00:41:31,868 --> 00:41:33,698
WOMAN: Are you more apt
to watch a comedy

1000
00:41:33,732 --> 00:41:35,769
if it won an Emmy for
a Best Comedy?

1001
00:41:35,803 --> 00:41:37,115
No, I don't think so.

1002
00:41:37,149 --> 00:41:40,049
I don't really care
about like, awards
and stuff like that.

1003
00:41:40,083 --> 00:41:42,361
It's not like, oh, well,
that won the Emmy so

1004
00:41:42,396 --> 00:41:43,984
I need to watch it.

1005
00:41:44,018 --> 00:41:46,089
Those Emmys were like,
"Oh, are we finally

1006
00:41:46,124 --> 00:41:48,747
"transitioning into some
sort of popular acceptance?"

1007
00:41:48,782 --> 00:41:51,405
And unfortunately, it never
materialized after that point.

1008
00:41:51,439 --> 00:41:54,063
All of America was supposed
to say "Man, that show won

1009
00:41:54,097 --> 00:41:55,651
"an Emmy,
I've got to check it out."

1010
00:41:55,685 --> 00:41:56,962
[FART NOISE]

1011
00:41:57,963 --> 00:42:00,172
I think it gave us
more credibility.

1012
00:42:00,207 --> 00:42:01,933
And it kept it on.

1013
00:42:01,967 --> 00:42:04,729
But I don't really know if
it actually, honestly,

1014
00:42:04,763 --> 00:42:06,420
improved the ratings.
[LAUGHING]

1015
00:42:06,454 --> 00:42:09,250
We sort of thought, "What
show is that... That won?"

1016
00:42:09,285 --> 00:42:12,564
And that we're not really
gonna spike audience-wise
from it.

1017
00:42:12,599 --> 00:42:14,393
It turned out to be true.

1018
00:42:14,428 --> 00:42:16,810
I think that each time
it got nominated,

1019
00:42:16,844 --> 00:42:20,952
and won, it was just like
a little sphincter pinch
for everybody

1020
00:42:20,986 --> 00:42:22,919
at Fox. Like "Mmm, damn it."

1021
00:42:22,954 --> 00:42:25,094
"There's another eight shows
we have to do."

1022
00:42:25,128 --> 00:42:27,199
It's really what kept us
on the air.

1023
00:42:27,234 --> 00:42:29,995
Jim actually told me
a funny story about it,

1024
00:42:30,030 --> 00:42:33,551
that after the Emmys,
that next show

1025
00:42:33,585 --> 00:42:37,002
there was an anticipation
of a ratings bump.

1026
00:42:37,037 --> 00:42:41,282
So that gave us, uh,
a little injection
of hope and optimism.

1027
00:42:41,317 --> 00:42:43,940
Uh, before that came
crashing down, of course.

1028
00:42:45,355 --> 00:42:47,806
The day after,
we pulled up to Fox...

1029
00:42:47,841 --> 00:42:49,497
CROSS: You know, when you
drive onto the Fox lot,

1030
00:42:49,532 --> 00:42:52,190
there's massive billboards.
They have those huge

1031
00:42:52,224 --> 00:42:54,364
crazy big, big billboards.
And there was like...

1032
00:42:54,399 --> 00:42:57,540
...a huge billboard in the
front for like Jamie Kennedy's

1033
00:42:57,575 --> 00:42:59,473
new movie, and then we drive
around the corner,

1034
00:42:59,507 --> 00:43:01,579
and there was a tiny little
banner on the inside

1035
00:43:01,613 --> 00:43:02,787
of the studio.

1036
00:43:02,821 --> 00:43:04,478
The kind of thing you get for
like, "We're raising money

1037
00:43:04,512 --> 00:43:07,101
"for the firehouse, come to
our barbecue chicken night."

1038
00:43:07,136 --> 00:43:10,277
Congratulations Arrested,
for five Emmys.

1039
00:43:10,311 --> 00:43:12,555
That banner was up
for a few days, and then

1040
00:43:12,590 --> 00:43:14,937
the morning after

1041
00:43:14,971 --> 00:43:19,424
that much anticipated airing
of the next show,

1042
00:43:19,458 --> 00:43:23,186
that banner changed
to something like
really depressing.

1043
00:43:23,221 --> 00:43:25,672
Like that, you know,
show where they blew up cars

1044
00:43:25,706 --> 00:43:27,363
and showed a lot of [BLEEP].

1045
00:43:27,397 --> 00:43:28,536
[CHUCKLES]
It was like that thing.

1046
00:43:28,571 --> 00:43:31,988
Like, "Coming up,
exploding [BLEEP]!

1047
00:43:32,023 --> 00:43:33,541
Check it out this Fall.

1048
00:43:33,576 --> 00:43:34,991
On Fox.

1049
00:43:42,136 --> 00:43:44,656
Well, and that show did seem
to be written they day before

1050
00:43:44,691 --> 00:43:45,864
it was shot.

1051
00:43:45,899 --> 00:43:47,728
Our scripts were
notoriously late.

1052
00:43:47,763 --> 00:43:49,592
Yeah, the script
definitely did come in late.

1053
00:43:49,627 --> 00:43:52,526
We used to get the scripts
on Wednesday, or sometimes

1054
00:43:52,560 --> 00:43:54,183
even Thursday morning.

1055
00:43:54,217 --> 00:43:58,601
Mitch is notorious
for not having scripts.

1056
00:43:58,636 --> 00:44:01,017
He can be
a little infuriating,
'cause he'll be re-writing

1057
00:44:01,052 --> 00:44:02,536
to the last second.

1058
00:44:02,570 --> 00:44:05,366
I think Mitch was a bit
of the kid who

1059
00:44:05,401 --> 00:44:07,575
would write his report
the night before it was due.

1060
00:44:07,610 --> 00:44:11,096
I really did feel like,
I wanted more time with it.

1061
00:44:11,131 --> 00:44:14,065
On Arrested,it reached
the point of absurdity.

1062
00:44:14,099 --> 00:44:17,171
It was probably not terribly
disciplined in terms of

1063
00:44:17,206 --> 00:44:18,725
when you got the scripts.

1064
00:44:18,759 --> 00:44:21,589
And the scripts came in late
because I was putting my

1065
00:44:21,624 --> 00:44:24,385
creative expression ahead of

1066
00:44:24,420 --> 00:44:26,008
the studio's
creative expression.

1067
00:44:26,042 --> 00:44:27,457
I mean, he always came
through, and he came through

1068
00:44:27,492 --> 00:44:31,047
with A-level material
obviously, but it was...
It was incredible...

1069
00:44:31,082 --> 00:44:35,051
You know, instead of seeking
the counsel of the studio

1070
00:44:35,086 --> 00:44:37,536
and the network, I kind of
took my own counsel

1071
00:44:37,571 --> 00:44:39,918
and said let's just keep going
and try to make this better.

1072
00:44:39,953 --> 00:44:42,645
The poor directors really
had nothing to prep with.

1073
00:44:42,680 --> 00:44:45,683
By Mitch and the gang kind of
getting these scripts

1074
00:44:45,717 --> 00:44:48,202
and always sort of
right at the nick of time...

1075
00:44:48,237 --> 00:44:50,342
It just created this extra
bit of energy.

1076
00:44:50,377 --> 00:44:51,896
If something wasn't working,

1077
00:44:51,930 --> 00:44:55,140
um, I couldn't sleep.
I couldn't [STUTTERS]
you know? I couldn't

1078
00:44:55,175 --> 00:44:57,522
eat. It just bothered me.

1079
00:44:57,556 --> 00:44:59,766
And that created
the style of it.

1080
00:44:59,800 --> 00:45:03,079
It... To me when I see
it now, it's clearly
the work of, um,

1081
00:45:03,735 --> 00:45:05,392
a maniac.

1082
00:45:05,426 --> 00:45:07,912
I think it was probably
more difficult for

1083
00:45:07,946 --> 00:45:10,811
the production. 'Cause they
had to pull things together

1084
00:45:10,846 --> 00:45:12,157
really quickly.

1085
00:45:12,192 --> 00:45:14,470
The writers would write,
write, write, write, write,
up until

1086
00:45:14,504 --> 00:45:17,576
the very last minute that they
had to turn the script over
to us...

1087
00:45:17,611 --> 00:45:21,270
Wonderful crew. They had
very little prep time.

1088
00:45:21,304 --> 00:45:23,997
I... I... [STUTTERS]
I don't know what went on
in Mitch's head

1089
00:45:24,031 --> 00:45:26,620
most of the time.
It was a mystery.

1090
00:45:26,654 --> 00:45:28,587
Everyone on the crew
had to be fairly creative,

1091
00:45:28,622 --> 00:45:30,555
because you had to do stuff
without it really being

1092
00:45:30,589 --> 00:45:31,832
on the page, often.

1093
00:45:31,867 --> 00:45:33,282
I remember once
at a Christmas party

1094
00:45:33,316 --> 00:45:36,388
we called up John Amodeo,
our producer, and asked him

1095
00:45:36,423 --> 00:45:37,873
if he could get us
the Queen Mary.

1096
00:45:38,632 --> 00:45:41,048
[FOGHORN BLOWING]

1097
00:45:41,083 --> 00:45:43,085
[LAUGHS] "When?" "For Monday!"

1098
00:45:43,119 --> 00:45:44,534
It's like, Saturday night.
[LAUGHING]

1099
00:45:44,569 --> 00:45:46,364
In the middle of
Christmas season.

1100
00:45:46,398 --> 00:45:48,193
"Can you get us
the Queen Mary?"

1101
00:45:48,228 --> 00:45:50,264
He calls us up Sunday
"Hey, I got the Queen Mary!"

1102
00:45:50,299 --> 00:45:52,646
[CHUCKLING]

1103
00:45:52,680 --> 00:45:55,131
Oh, I love Mitch, and we have
a great relationship,

1104
00:45:55,166 --> 00:45:57,651
but I think it's fair to use
the word insanity.

1105
00:45:57,685 --> 00:45:59,826
The double-edged sword
of being Mitch is the

1106
00:45:59,860 --> 00:46:02,276
fun of working with the staff
and the cast, but...

1107
00:46:02,311 --> 00:46:05,279
You know, he also had this
real heavy lifting to do,

1108
00:46:05,314 --> 00:46:07,281
which is supervise
the editing.

1109
00:46:07,316 --> 00:46:10,595
The editing room
was just another phase
of the writing stage.

1110
00:46:10,629 --> 00:46:12,977
He didn't edit
in a timely manner.

1111
00:46:13,011 --> 00:46:14,668
He didn't do anything
in a timely manner.

1112
00:46:14,702 --> 00:46:16,912
I know Mitch would go
into the editing room and...

1113
00:46:16,946 --> 00:46:19,638
When they would edit, would
basically re-write the show...

1114
00:46:19,673 --> 00:46:22,780
...and try to make things,
you know, funnier.

1115
00:46:22,814 --> 00:46:25,886
Not go the other direction.
'Cause you're losing jokes.

1116
00:46:25,921 --> 00:46:27,888
But instead,
how do you scrunch it?

1117
00:46:27,923 --> 00:46:30,166
He could come up
with new lines,
and I know he'd actually

1118
00:46:30,201 --> 00:46:32,513
sit at the edit bay
with a microphone,

1119
00:46:32,548 --> 00:46:34,239
and temp in lines.

1120
00:46:34,274 --> 00:46:37,208
So you would see shots
of people's shoulders

1121
00:46:37,242 --> 00:46:38,692
or backs.

1122
00:46:38,726 --> 00:46:41,005
If you watch it, there's
dialogue on people's backs...

1123
00:46:41,039 --> 00:46:42,834
He'd put different words in.

1124
00:46:42,869 --> 00:46:46,665
So in effect,
he was re-writing
beyond last possible moment.

1125
00:46:46,700 --> 00:46:48,909
So he didn't get it done
to start with,

1126
00:46:48,944 --> 00:46:51,118
he did it on set,
and then he did it after.

1127
00:46:59,126 --> 00:47:01,922
I do love that they were
able to insert some

1128
00:47:01,957 --> 00:47:04,373
political aspects
into the show.

1129
00:47:07,065 --> 00:47:10,413
We did get a note early on,
from the network,

1130
00:47:10,448 --> 00:47:12,208
'cause we had all this stuff
about the Iraq War.

1131
00:47:12,243 --> 00:47:16,109
The whole Iraq War thing
was really genius.

1132
00:47:16,143 --> 00:47:18,525
The concern was, you know,
"Won't the Iraq War be over

1133
00:47:18,559 --> 00:47:19,906
"by the time this airs?"

1134
00:47:19,940 --> 00:47:21,459
"Aren't you a little worried
it will be outdated?"

1135
00:47:21,493 --> 00:47:22,529
[CHUCKLES] I was like,
"No, no, no."

1136
00:47:22,563 --> 00:47:24,186
Our grandkids will
be part of that.

1137
00:47:24,220 --> 00:47:26,084
Bush, if he did give this
country one thing,

1138
00:47:26,119 --> 00:47:30,986
it really was a deep sense
of shame and irony

1139
00:47:31,020 --> 00:47:33,885
that was not lost on our,
um, our writing staff.

1140
00:47:33,920 --> 00:47:36,267
It was... It was
generous of him.

1141
00:47:36,301 --> 00:47:37,889
We got away with murder.

1142
00:47:37,924 --> 00:47:40,443
Yeah. You don't see a lot
of people throwing themselves

1143
00:47:40,478 --> 00:47:42,549
under buses. You know?

1144
00:47:42,583 --> 00:47:45,724
The subject matter
was kind of risque.

1145
00:47:45,759 --> 00:47:49,004
With the war, and Bush,
and, I mean,

1146
00:47:49,038 --> 00:47:50,384
it wasn't that subtle.

1147
00:47:50,419 --> 00:47:52,317
One of my favorite lines is
when the newscaster

1148
00:47:52,352 --> 00:47:54,837
comes out and goes
"WMDs found in Iraq.

1149
00:47:54,872 --> 00:47:57,564
"What this means for your
weekend, tonight at 10:00."

1150
00:47:57,598 --> 00:47:59,462
When they're driving through
Iraq they talk about

1151
00:47:59,497 --> 00:48:02,741
Halliburton Way,
and Cheney Drive.

1152
00:48:02,776 --> 00:48:05,054
In the background, during one
of the scenes they have the

1153
00:48:05,089 --> 00:48:06,642
"Mission Accomplished"
banner. [CHUCKLES]

1154
00:48:06,676 --> 00:48:08,333
[SINGING TUNE]
Solid as a rock!

1155
00:48:08,368 --> 00:48:10,508
One of my favorite subplots
was the, you know,

1156
00:48:10,542 --> 00:48:13,821
Saddam Hussein, [LAUGHING]
as a client.

1157
00:48:13,856 --> 00:48:16,928
TAMBOR: I actually was made up as Saddam when they buried me,

1158
00:48:16,963 --> 00:48:18,792
which was hysterically funny.

1159
00:48:18,826 --> 00:48:21,484
On these kind of major issues
that are going on at the time,

1160
00:48:21,519 --> 00:48:24,073
they magically weaved them
into the show.

1161
00:48:24,108 --> 00:48:27,835
But it wasn't the show. It
didn't supersede the comedy.

1162
00:48:27,870 --> 00:48:30,873
I kind of hate
political satire,
but this show approached it

1163
00:48:30,908 --> 00:48:34,912
in a way that was funny,
and topical but wasn't

1164
00:48:34,946 --> 00:48:36,534
bashing you in the head
stupid about it.

1165
00:48:37,086 --> 00:48:39,606
These guys had balls.

1166
00:48:39,640 --> 00:48:41,780
When you see the copyright
dates of some of those

1167
00:48:41,815 --> 00:48:43,921
episodes, and the things
that they were suggesting...

1168
00:48:43,955 --> 00:48:47,648
This is 2003, 2004, we've just
invaded Iraq,

1169
00:48:47,683 --> 00:48:52,170
and someone had the balls
to go in and to
poke fun at it?

1170
00:48:52,205 --> 00:48:55,829
And put it on the Fox network
of all places!

1171
00:48:55,863 --> 00:48:58,832
These guys... These guys have
to go through those doors

1172
00:48:58,866 --> 00:49:02,111
sideways. You know?
Those are some balls.

1173
00:49:02,836 --> 00:49:05,494
You kind of feel like

1174
00:49:05,528 --> 00:49:08,566
we slipped it past them
somehow. You know? [LAUGHS]

1175
00:49:08,600 --> 00:49:11,327
It's great to make, uh, humor
out of something bad, y'know?

1176
00:49:11,362 --> 00:49:12,811
If you don't have that,
what do you got?

1177
00:49:12,846 --> 00:49:14,744
It's a money laundering
scheme...

1178
00:49:14,779 --> 00:49:16,746
It's corrupt businesses...

1179
00:49:16,781 --> 00:49:19,473
It's a fine line to be able
to write political satire

1180
00:49:19,508 --> 00:49:21,648
that works as humor

1181
00:49:21,682 --> 00:49:24,651
even if you don't carry
the politics into it.

1182
00:49:24,685 --> 00:49:29,380
And very, very perceptive
vision in advance.

1183
00:49:29,414 --> 00:49:32,555
Um, by Mitch.
This was a con job.

1184
00:49:42,565 --> 00:49:44,567
They just take things that

1185
00:49:44,602 --> 00:49:48,088
you should not even
broach the subject

1186
00:49:48,123 --> 00:49:50,918
and they turn it into gold.

1187
00:49:50,953 --> 00:49:52,403
It's a little startling
at first.

1188
00:49:52,437 --> 00:49:53,818
Like if you try
and tell someone,

1189
00:49:54,784 --> 00:49:56,269
you know you kind of
get some weird looks.

1190
00:49:56,303 --> 00:49:57,925
"What the hell are you
watching?" You know?

1191
00:49:57,960 --> 00:49:59,651
It kind of shows you a
microcosm of the risk

1192
00:49:59,686 --> 00:50:01,239
that this show took.

1193
00:50:01,274 --> 00:50:03,172
He's so cute and innocent,

1194
00:50:03,207 --> 00:50:06,037
but yet he has this, um,
little dark secret.

1195
00:50:06,072 --> 00:50:10,214
He's just this classic 14, 15
year old guy,

1196
00:50:10,248 --> 00:50:14,045
with some crazy crush. And it
just happens to be his cousin.

1197
00:50:14,080 --> 00:50:15,184
Ultimately at the heart of the

1198
00:50:15,219 --> 00:50:17,842
George Michael-Maeby
relationship, were,

1199
00:50:17,876 --> 00:50:19,982
you know, two kids
that were really lonely.

1200
00:50:20,017 --> 00:50:22,364
It was actually my first kiss
ever, that kiss with Michael.

1201
00:50:22,398 --> 00:50:24,228
And I remember one of the
execs from Fox was there,

1202
00:50:24,262 --> 00:50:26,092
and I was like, "You know,
I'm really nervous, actually,

1203
00:50:26,126 --> 00:50:27,369
"'cause I've never
kissed anyone."

1204
00:50:27,403 --> 00:50:29,129
It was not
a salacious relationship

1205
00:50:29,164 --> 00:50:30,648
between the two of them.

1206
00:50:30,682 --> 00:50:32,063
It was a boy
who needed a sister.

1207
00:50:33,513 --> 00:50:35,756
And then wanted
to see his sister naked.

1208
00:50:36,136 --> 00:50:37,724
-Ew!
-Ah!

1209
00:50:37,758 --> 00:50:38,932
What the [BLEEP]?

1210
00:50:38,966 --> 00:50:41,900
-That's rad.
-Yeah, yeah,
incest is just a riot.

1211
00:50:41,935 --> 00:50:44,731
Especially on network TV
It takes a special touch

1212
00:50:44,765 --> 00:50:49,701
to do incest. I think. To make
it accessible to the masses.

1213
00:50:49,736 --> 00:50:52,773
I like the fact that he was
constantly chasing her.

1214
00:50:52,808 --> 00:50:56,156
Which could be
really offensive
to a lot of people.

1215
00:50:56,191 --> 00:50:58,400
But there's such
a fundamental sweetness to it.

1216
00:50:58,434 --> 00:51:00,574
You didn't think of them
in terms of cousins.

1217
00:51:00,609 --> 00:51:03,577
You didn't care, because he
was just so in love with her.

1218
00:51:03,612 --> 00:51:06,753
Their relationship and
non-relationship as the case

1219
00:51:06,787 --> 00:51:09,963
may be, is probably
one of the best conflicts
in the entire show.

1220
00:51:09,997 --> 00:51:12,586
It's not gross, they don't
do anything

1221
00:51:12,621 --> 00:51:16,142
that's necessarily wrong.
You know? But it's just

1222
00:51:16,176 --> 00:51:17,626
kind of there.

1223
00:51:17,660 --> 00:51:20,318
But are they cousins?
Is this my cousin, Maeby?

1224
00:51:20,353 --> 00:51:21,630
So maybe it's not.

1225
00:51:27,498 --> 00:51:30,363
[CARS BUSTLING]

1226
00:51:41,063 --> 00:51:45,654
[LIGHTNING STRIKES,
THUNDER RUMBLES]

1227
00:51:56,389 --> 00:51:59,530
CREWMAN: A lot of the fans
have talked about your rant.

1228
00:51:59,564 --> 00:52:01,670
Can you speak to that?

1229
00:52:01,704 --> 00:52:04,811
Um, I don't know exactly
what triggered it,

1230
00:52:04,845 --> 00:52:07,745
but I do remember that we
had just gotten,

1231
00:52:07,779 --> 00:52:10,403
I mean literally maybe
15 minutes ago,

1232
00:52:10,437 --> 00:52:13,716
or 10 minutes prior to that,
we had just gotten a...

1233
00:52:13,751 --> 00:52:16,823
Yet another piece of bad news.
I don't remember what it was,

1234
00:52:16,857 --> 00:52:19,101
it was, you know, we're gonna
go on a break,

1235
00:52:19,136 --> 00:52:22,346
we're gonna shut down,
or one of those things.

1236
00:52:22,380 --> 00:52:24,762
Jeffrey and I were talking
about something and I just...

1237
00:52:24,796 --> 00:52:26,936
You know. You get angry.
And you...

1238
00:52:26,971 --> 00:52:31,286
I wasn't doing it
for the camera but I mean,
I stand by it, you know.

1239
00:52:34,806 --> 00:52:37,637
I kind of knew that we just
weren't gonna make it at Fox.

1240
00:52:37,671 --> 00:52:41,399
Fox gets so much bashing
I guess for however they

1241
00:52:41,434 --> 00:52:43,436
you know, promoted
or marketed the show.

1242
00:52:43,470 --> 00:52:46,370
This show is a weird animal.
It was always very hard

1243
00:52:46,404 --> 00:52:47,474
for them to figure out
what to do with it.

1244
00:52:48,441 --> 00:52:50,788
I do think they
tried to market it.

1245
00:52:50,822 --> 00:52:52,893
There was a lot
of support for the show.

1246
00:52:52,928 --> 00:52:54,550
And some people would
disagree with me...

1247
00:52:54,585 --> 00:52:57,519
Fox didn't advertise.
That was a big problem.

1248
00:52:57,553 --> 00:52:58,830
Yeah, I mean maybe
they could have marketed

1249
00:52:58,865 --> 00:52:59,866
a little bit different.

1250
00:53:00,487 --> 00:53:03,456
They didn't have

1251
00:53:03,490 --> 00:53:07,287
the backing to aggressively
promote the show.

1252
00:53:07,322 --> 00:53:09,772
There's a lot of power
in marketing.

1253
00:53:09,807 --> 00:53:13,604
And they really can change
the outcome of something.

1254
00:53:13,638 --> 00:53:17,401
I think they...
I think did everything
that they knew how to do.

1255
00:53:17,435 --> 00:53:19,126
I don't want to comment
on how well they did it,

1256
00:53:19,161 --> 00:53:21,405
I know that they
[BLEEP] tried.

1257
00:53:22,095 --> 00:53:23,407
Hard.

1258
00:53:23,441 --> 00:53:26,720
They were held responsible
for my belief,

1259
00:53:26,755 --> 00:53:29,861
which was that if you try to
make every single part of it

1260
00:53:29,896 --> 00:53:32,623
funny, an audience will come.

1261
00:53:32,657 --> 00:53:33,934
And that really was my belief.

1262
00:53:33,969 --> 00:53:35,971
I felt that
they didn't get it.

1263
00:53:36,005 --> 00:53:38,836
It's difficult for a network
to promote to its viewers

1264
00:53:38,870 --> 00:53:40,734
a show that really doesn't
resemble anything

1265
00:53:40,769 --> 00:53:42,080
that's out there.

1266
00:53:42,115 --> 00:53:46,292
I don't think they knew
what it was, or knew

1267
00:53:46,326 --> 00:53:48,259
who the audience was.

1268
00:53:48,294 --> 00:53:50,399
And obviously Fox
has had a really hard time

1269
00:53:50,434 --> 00:53:52,401
breaking any comedy hits.
Other than animation.

1270
00:53:52,436 --> 00:53:53,713
Period.

1271
00:53:53,747 --> 00:53:55,922
I wasn't trying to do
something that was

1272
00:53:55,956 --> 00:53:57,475
so obscure that people
didn't get it.

1273
00:53:57,510 --> 00:54:00,237
I was trying to create
something that people

1274
00:54:00,271 --> 00:54:02,722
had to make an effort for.

1275
00:54:02,756 --> 00:54:05,138
They didn't have
a lot of great time slots,

1276
00:54:05,172 --> 00:54:07,934
and the whole Sunday night
at 9:30pm, you know,

1277
00:54:07,968 --> 00:54:09,280
was a death slot.

1278
00:54:09,315 --> 00:54:12,525
Their network at the time was Simpsonsand King of the Hill,

1279
00:54:12,559 --> 00:54:14,181
and Family Guy
on Sunday night.

1280
00:54:14,216 --> 00:54:18,634
And this didn't fit into
either of those boxes...

1281
00:54:18,669 --> 00:54:19,980
They had a difficult task.

1282
00:54:20,015 --> 00:54:21,361
And I think
it lasted longer than

1283
00:54:21,396 --> 00:54:24,330
anybody at Fox really
would have wanted it to.

1284
00:54:24,364 --> 00:54:27,367
I think it was a sore point
for them.

1285
00:54:27,402 --> 00:54:29,990
Mitch told us once that he had
actually gone to someone

1286
00:54:30,025 --> 00:54:32,510
in the network, and I swear to
God they said to him:

1287
00:54:32,545 --> 00:54:36,480
"Do you mind dumbing it down
just a little bit? Come on."

1288
00:54:36,514 --> 00:54:39,448
Many times people wanted
to reshape the show,

1289
00:54:39,483 --> 00:54:42,555
or try to find a single focus
as opposed to the

1290
00:54:42,589 --> 00:54:45,178
several stories
that the show has.

1291
00:54:45,212 --> 00:54:46,869
And he just, would
always resist it.

1292
00:54:46,904 --> 00:54:48,664
The only things they
could give notes on,

1293
00:54:48,699 --> 00:54:50,045
were the scripts.

1294
00:54:50,079 --> 00:54:53,393
The note was,
"Can you do 15% less?"

1295
00:54:53,428 --> 00:54:55,568
You know, "Does it have to
be so complicated?"

1296
00:54:55,602 --> 00:54:57,949
There was a time I thought
there were too many stories.

1297
00:54:57,984 --> 00:55:01,021
You know, it's hard to follow
that many stories...

1298
00:55:01,608 --> 00:55:04,335
Not a bad note. Actually.

1299
00:55:04,370 --> 00:55:06,233
Probably, if we had taken it,

1300
00:55:06,268 --> 00:55:08,512
um, I wouldn't be in this
[BLEEP]!

1301
00:55:09,167 --> 00:55:10,583
[LAUGHING]

1302
00:55:14,449 --> 00:55:17,037
HURWITZ: They were
very respectful.

1303
00:55:17,072 --> 00:55:19,557
And they were very worried.
You know, they...

1304
00:55:19,592 --> 00:55:21,766
They put a lot of money
into this thing.

1305
00:55:21,801 --> 00:55:24,493
I mean, they probably
put over 50 million dollars

1306
00:55:24,528 --> 00:55:25,874
into making this.

1307
00:55:25,908 --> 00:55:28,083
What people tend to forget
though, is that they did give

1308
00:55:28,117 --> 00:55:30,396
us two and a half years,
and they didn't have to.

1309
00:55:30,430 --> 00:55:33,330
They didn't feel it was worth
the extra step of

1310
00:55:33,364 --> 00:55:35,332
also spending a lot of money
on promotion, and that's

1311
00:55:35,366 --> 00:55:38,680
just an equation that studios
have to make.

1312
00:55:39,784 --> 00:55:41,924
We also thought that

1313
00:55:41,959 --> 00:55:44,962
the country would catch on.

1314
00:55:44,996 --> 00:55:46,412
That's what I don't get.

1315
00:55:47,240 --> 00:55:49,242
For the most part,

1316
00:55:49,276 --> 00:55:51,796
the heart of the country
did not watch the show.

1317
00:55:52,694 --> 00:55:54,558
And

1318
00:55:54,592 --> 00:55:56,456
by the heart I mean

1319
00:55:58,424 --> 00:55:59,494
the middle.

1320
00:56:00,495 --> 00:56:02,220
Like the Midwest.

1321
00:56:03,118 --> 00:56:04,878
They're to blame.

1322
00:56:04,913 --> 00:56:08,779
In every definition of the
word "missed", uh,
America missed it.

1323
00:56:08,813 --> 00:56:11,713
America Ferrara?
The girl who plays Ugly Betty?

1324
00:56:11,747 --> 00:56:13,715
I don't know if she
ever watched it!

1325
00:56:13,749 --> 00:56:15,510
Huh...

1326
00:56:15,544 --> 00:56:18,375
Every critic at every
newspaper says,

1327
00:56:18,409 --> 00:56:20,204
"This is the best
sitcom on TV."

1328
00:56:20,238 --> 00:56:22,827
But for some reason,
America says,

1329
00:56:22,862 --> 00:56:24,208
"Oh, I've never heard of it."

1330
00:56:24,242 --> 00:56:27,936
Unfortunately a lot
of the really good shows
that are critically

1331
00:56:27,970 --> 00:56:31,042
acclaimed, they don't...
People don't watch them.

1332
00:56:31,077 --> 00:56:33,735
The audience has been
systematically taught

1333
00:56:33,769 --> 00:56:35,461
over the generations,

1334
00:56:35,495 --> 00:56:38,498
"Just sit there! We'll
throw this stuff at you!

1335
00:56:38,533 --> 00:56:41,018
"If it hits you in
the forehead, you'll enjoy it!

1336
00:56:41,052 --> 00:56:43,089
"If not, we'll cancel it and
throw something else

1337
00:56:43,123 --> 00:56:44,331
"at you."

1338
00:56:44,366 --> 00:56:47,576
I mean most people don't even
know it existed, really.

1339
00:56:47,611 --> 00:56:51,097
We sure did our part. We told
everybody we knew about it.

1340
00:56:51,131 --> 00:56:52,685
[SCOFFS] I don't know, people
just didn't watch it.

1341
00:56:52,719 --> 00:56:53,996
I'd hear her talking about it,

1342
00:56:54,031 --> 00:56:55,273
"Yeah it's one of
my favorite shows..."

1343
00:56:55,308 --> 00:56:56,482
Nothing.

1344
00:56:56,516 --> 00:56:59,623
I would call my family,
who lives in different parts

1345
00:56:59,657 --> 00:57:02,108
of the country and say,
"Did you see my show?"

1346
00:57:02,142 --> 00:57:03,937
And most of them would say,
"Yeah, I didn't like it."

1347
00:57:03,972 --> 00:57:06,595
I wouldn't watch the show,
'cause I don't watch shows.

1348
00:57:06,630 --> 00:57:09,356
Uh, and I don't like when
I'm filming to watch the show.

1349
00:57:09,391 --> 00:57:11,704
And Jason would get really
mad at me. He would go,

1350
00:57:11,738 --> 00:57:14,845
"You know, we'd all...
We'd all like a little help!"

1351
00:57:14,879 --> 00:57:17,675
I would guess that half the
people that saw the show

1352
00:57:17,710 --> 00:57:21,161
saw the show on a digital
video recorder, you know,

1353
00:57:21,196 --> 00:57:24,510
like a TiVo. Or on, um,
on DVD.

1354
00:57:24,544 --> 00:57:28,065
And as soon as you do that,
you're off the ratings grid.

1355
00:57:28,099 --> 00:57:29,756
We also just missed, you know,

1356
00:57:29,791 --> 00:57:33,898
like the Nielsen Rating Group
started following you know,
college dorms.

1357
00:57:33,933 --> 00:57:36,487
And that was a big part
of our, uh, fan base.

1358
00:57:36,522 --> 00:57:37,902
We would have it on the TV
in the background

1359
00:57:37,937 --> 00:57:40,318
to get ratings, you know.
Like on every TV in the house.

1360
00:57:40,353 --> 00:57:41,458
But I don't think

1361
00:57:41,492 --> 00:57:43,321
we had Nielsen, so it was
probably useless.

1362
00:57:43,356 --> 00:57:45,565
I think Arrestedreally
believed in its audience.

1363
00:57:45,600 --> 00:57:48,154
More so than maybe any other
show I've ever worked on.

1364
00:57:48,188 --> 00:57:50,570
In a way I think it's good
that it never had
that mass appeal.

1365
00:57:50,605 --> 00:57:52,330
I know it doesn't help
everybody's pocketbook

1366
00:57:52,365 --> 00:57:55,126
at the end of the day,
but it was never gonna

1367
00:57:55,161 --> 00:57:57,232
appeal to the, uh,
the entire country.

1368
00:57:57,266 --> 00:58:00,511
It required some work
as a viewer, where as

1369
00:58:00,546 --> 00:58:02,548
most shows are like

1370
00:58:02,582 --> 00:58:04,550
warm gruel that gets

1371
00:58:04,584 --> 00:58:07,207
spoon-fed to you while
you lay on the couch,

1372
00:58:07,242 --> 00:58:08,519
calcifying.

1373
00:58:08,554 --> 00:58:10,659
You kind of lose hope
in people.

1374
00:58:10,694 --> 00:58:13,662
You know, we need to be
hit over the head with a joke.

1375
00:58:13,697 --> 00:58:16,182
People need to be reminded,
Oh, guess what? That's funny!

1376
00:58:16,216 --> 00:58:17,424
Laugh!

1377
00:58:17,459 --> 00:58:19,599
And the fact that this show
did not have a laugh track,

1378
00:58:19,634 --> 00:58:22,015
and didn't telegraph the areas

1379
00:58:22,050 --> 00:58:24,017
where the audience should
laugh, I think

1380
00:58:24,052 --> 00:58:26,986
hurt it with the vast majority
of people.

1381
00:58:27,020 --> 00:58:28,125
How sad is that?

1382
00:58:28,159 --> 00:58:30,921
I think America missed this
show by six months.

1383
00:58:30,955 --> 00:58:35,373
Over at NBC, uh, when
The Officecame out,

1384
00:58:35,408 --> 00:58:37,617
they knew that they were,
even though they weren't

1385
00:58:37,652 --> 00:58:40,068
getting big ratings,
uh, they were...

1386
00:58:40,102 --> 00:58:42,588
People were downloading it,
people were paying for it...

1387
00:58:42,622 --> 00:58:44,866
You know, maybe it's a good
show to be downloaded.

1388
00:58:44,900 --> 00:58:48,386
Easy to stop and start,
go back and catch
that joke again...

1389
00:58:48,421 --> 00:58:50,630
Because then they would
have been able to go

1390
00:58:50,665 --> 00:58:53,530
over to Rupert Murdoch and
say "No, you don't understand,

1391
00:58:53,564 --> 00:58:55,186
"Rupert. It's making money."

1392
00:58:55,221 --> 00:58:56,947
Money!

1393
00:58:56,981 --> 00:58:59,743
I think that maybe America
wasn't ready for this show.

1394
00:58:59,777 --> 00:59:01,883
The part of America that
did miss this show,

1395
00:59:01,917 --> 00:59:05,093
is the same America that
watches reality TV

1396
00:59:05,127 --> 00:59:07,958
It's better than 95%
of the [BLEEP] that's on now.

1397
00:59:07,992 --> 00:59:10,132
When shows like
Dancing with the Stars

1398
00:59:10,167 --> 00:59:12,997
and American Idolare the
most popular TV shows...

1399
00:59:13,032 --> 00:59:14,758
I don't know. I think there's
something wrong with that.

1400
00:59:14,792 --> 00:59:17,105
'Cause reality TV is just...

1401
00:59:17,139 --> 00:59:19,452
It's just awful. [LAUGHS]
It's just [STUTTERS] It's...

1402
00:59:19,486 --> 00:59:21,558
-Yeah.
-There's no writing.

1403
00:59:21,592 --> 00:59:23,456
Look at all the crap
we have on TV!

1404
00:59:23,490 --> 00:59:25,389
-Crap.
-It's all crap.

1405
00:59:25,423 --> 00:59:26,735
You just kind of want
to tell people,

1406
00:59:26,770 --> 00:59:27,943
"What the [BLEEP] is the
matter with you? Why are you

1407
00:59:27,978 --> 00:59:29,427
"watching stuff like this?"

1408
00:59:29,462 --> 00:59:31,084
I don't know how else
to put it really.

1409
00:59:31,119 --> 00:59:32,603
America, what were
you thinking?

1410
00:59:33,224 --> 00:59:34,605
God, you should...

1411
00:59:34,640 --> 00:59:36,676
I'm not mad. I'm just
disappointed, America.

1412
00:59:38,160 --> 00:59:41,336
I'm a great parent
to America, by the way.

1413
00:59:41,370 --> 00:59:43,234
Anyway, go ahead America.
You're fine.

1414
00:59:48,723 --> 00:59:51,311
I hate to say this, but when
I started watching the show

1415
00:59:51,346 --> 00:59:53,486
even from the first season,
I always kind of thought

1416
00:59:53,520 --> 00:59:55,074
it was doomed.

1417
00:59:55,108 --> 00:59:57,317
I was at the, um,

1418
00:59:57,352 --> 01:00:01,114
Vanity Fairafter party
for the Oscars one year.

1419
01:00:01,149 --> 01:00:03,703
And, um, Rupert Murdoch
was there...

1420
01:00:03,738 --> 01:00:07,534
We really were
a ratings fiasco.

1421
01:00:07,569 --> 01:00:09,951
He was very excited about
talking about 24,

1422
01:00:09,985 --> 01:00:11,608
which is a Fox show.

1423
01:00:11,642 --> 01:00:13,920
And I said "Yeah, 24.
That's great.

1424
01:00:13,955 --> 01:00:15,957
"And I'm really... I love
Arrested Development."

1425
01:00:15,991 --> 01:00:19,063
No matter how brilliant
a show is,

1426
01:00:19,098 --> 01:00:21,445
it does not mean that it's
gonna stay on the air.

1427
01:00:21,479 --> 01:00:23,792
And he said,

1428
01:00:23,827 --> 01:00:27,727
"That's a cable show. That
shouldn't be on the networks."

1429
01:00:27,762 --> 01:00:31,593
And I just kind of went
"Ha. Eh, ah, we're [BLEEP]."

1430
01:00:31,628 --> 01:00:34,147
[CHUCKLES] We are [BLEEP] now.

1431
01:00:34,182 --> 01:00:36,633
Basically a show gets
canceled for one reason,

1432
01:00:36,667 --> 01:00:38,186
it doesn't get ratings.

1433
01:00:38,220 --> 01:00:40,395
You know? It's not
that complicated.

1434
01:00:40,429 --> 01:00:43,294
[CREWMAN SPEAKING]

1435
01:00:43,329 --> 01:00:44,364
Canceled!

1436
01:00:47,885 --> 01:00:49,576
I do want to say I was
a little surprised

1437
01:00:49,611 --> 01:00:51,682
that it lasted as long
as it did.

1438
01:00:51,717 --> 01:00:54,685
I never got involved when
a TV show was canceled.

1439
01:00:54,720 --> 01:00:56,583
I, you know,
they come and they go.

1440
01:00:56,618 --> 01:00:58,033
But when that show
got canceled it really

1441
01:00:58,068 --> 01:00:59,897
bothered me deep down.

1442
01:00:59,932 --> 01:01:02,589
I felt the need to like,
sign petitions.

1443
01:01:02,624 --> 01:01:05,316
You know? For a TV show.
I never did that before
in my life.

1444
01:01:05,351 --> 01:01:08,423
When I finally read the news
that they'd canceled
the show,

1445
01:01:08,457 --> 01:01:09,631
it was like
a punch in the gut.

1446
01:01:10,287 --> 01:01:11,495
I wanted to cry.

1447
01:01:11,529 --> 01:01:14,049
We weren't canceled.
We were taken into an alley

1448
01:01:14,084 --> 01:01:15,568
and shot in the back
of the head.

1449
01:01:15,602 --> 01:01:18,053
This show had

1450
01:01:18,088 --> 01:01:21,712
lymph node cancer
and was diagnosed with

1451
01:01:21,747 --> 01:01:25,129
multiple compound fractures,
contusions, internal bleeding,

1452
01:01:25,785 --> 01:01:26,855
from the beginning.

1453
01:01:26,890 --> 01:01:28,857
No one expected the pilot
to get picked up.

1454
01:01:28,892 --> 01:01:31,101
I thought I had the way
to make it a hit.

1455
01:01:31,549 --> 01:01:32,758
I was wrong.

1456
01:01:32,792 --> 01:01:34,207
No one expected to get
the second season...

1457
01:01:34,242 --> 01:01:35,312
It was just like,

1458
01:01:35,346 --> 01:01:36,451
"When are they gonna
cancel it?"

1459
01:01:36,485 --> 01:01:37,521
That was all we ever said.

1460
01:01:37,555 --> 01:01:39,143
"When are they gonna
cancel it? When?"

1461
01:01:39,178 --> 01:01:41,870
And no one expected
to get the last half.

1462
01:01:41,905 --> 01:01:44,735
Every time we'd do
a section of 13 episodes,

1463
01:01:44,770 --> 01:01:46,426
we really didn't know if
we were coming back.

1464
01:01:46,461 --> 01:01:48,635
We never really felt like

1465
01:01:48,670 --> 01:01:50,879
a ton of people were
watching it.

1466
01:01:50,914 --> 01:01:52,260
Turned out to be true.

1467
01:01:52,294 --> 01:01:56,126
We really did a cable show
on network television.

1468
01:01:56,160 --> 01:01:58,645
You know, you just can't have
a show on network TV

1469
01:01:58,680 --> 01:02:01,994
and not get the numbers
that make sense for them.

1470
01:02:02,028 --> 01:02:05,307
It's all about advertising
and all these crazy things

1471
01:02:05,342 --> 01:02:08,276
that have nothing to do
with creativity.

1472
01:02:08,310 --> 01:02:10,588
This sounds so odd,

1473
01:02:10,623 --> 01:02:12,694
in a way I was glad
we were canceled,

1474
01:02:12,729 --> 01:02:15,179
because I was...
I was just sick of the fight.

1475
01:02:15,214 --> 01:02:18,804
And sick of the, that, that
hanging on the ledge,

1476
01:02:18,838 --> 01:02:20,426
Oh, our numbers?

1477
01:02:20,460 --> 01:02:23,498
I don't know if the ratings
ever really changed. [LAUGHS]

1478
01:02:23,532 --> 01:02:25,431
We felt like
the ratings changed.

1479
01:02:25,465 --> 01:02:27,847
It had to do with the
18-49 audience,

1480
01:02:27,882 --> 01:02:30,643
which is, you know, the
audience everybody wants,

1481
01:02:30,677 --> 01:02:32,196
because of advertising.

1482
01:02:32,231 --> 01:02:34,785
And, um, we didn't
get the numbers, as they say.

1483
01:02:34,820 --> 01:02:36,718
You know? That's what...
That's what happened.

1484
01:02:37,857 --> 01:02:39,445
It wasn't that much
of a shock.

1485
01:02:39,479 --> 01:02:41,585
You know, we...
we kind of saw it coming.

1486
01:02:41,619 --> 01:02:43,000
We didn't know week to week

1487
01:02:43,035 --> 01:02:45,037
whether we were
going back to work.

1488
01:02:45,071 --> 01:02:46,176
For a long time.

1489
01:02:46,210 --> 01:02:49,041
Maybe all along it really
needed to be a cable show.

1490
01:02:49,075 --> 01:02:50,490
You know? Who knows.

1491
01:02:54,494 --> 01:02:56,531
So I don't mean to be
sour grapes about it

1492
01:02:56,565 --> 01:02:59,258
but the one thing that was
slightly amusing in retrospect

1493
01:02:59,292 --> 01:03:02,537
was they had heavily, heavily
promoted their new

1494
01:03:02,571 --> 01:03:05,160
Pamela Anderson show
called Stacked.

1495
01:03:05,195 --> 01:03:07,784
And I just thought that was
hilarious that like, a show

1496
01:03:07,818 --> 01:03:10,027
about Pamela Anderson being
some kind of like...

1497
01:03:10,062 --> 01:03:12,202
In a bookstore?
Or something like that?

1498
01:03:12,236 --> 01:03:13,997
It was like, you know,
Desperate Housewives

1499
01:03:14,031 --> 01:03:15,136
was a hit...

1500
01:03:15,826 --> 01:03:17,034
And they have breasts.

1501
01:03:17,897 --> 01:03:19,312
We'll just call it [BLEEP]!

1502
01:03:19,347 --> 01:03:21,487
[CHUCKLES] You know? Stacked!

1503
01:03:21,521 --> 01:03:24,697
Ah, it's the biggest hit
that's ever been
on TV, Stacked!

1504
01:03:25,732 --> 01:03:27,424
I just couldn't understand it.

1505
01:03:27,458 --> 01:03:29,357
You know, and then it did
less numbers than we did.

1506
01:03:30,220 --> 01:03:31,704
It was just
really disappointing

1507
01:03:31,738 --> 01:03:35,259
that Fox put the last
four episodes in a row,

1508
01:03:35,294 --> 01:03:37,089
two hours, back-to-back.

1509
01:03:37,123 --> 01:03:39,332
Right up against
the Winter Olympics.

1510
01:03:39,367 --> 01:03:41,576
And the airing was ridiculous.

1511
01:03:41,610 --> 01:03:43,302
What a way to end the show.

1512
01:03:44,510 --> 01:03:46,029
That was kind of, you know.

1513
01:03:46,063 --> 01:03:48,514
"Guys! What are you doing
to us?" You know.

1514
01:03:48,548 --> 01:03:49,964
"We don't even have a chance."

1515
01:03:49,998 --> 01:03:52,518
Felt like, "You guys
don't have anywhere
you can put this

1516
01:03:52,552 --> 01:03:54,175
"to get some ratings?"

1517
01:03:54,209 --> 01:03:56,694
It was indicative, again,
of how the show was sorta...

1518
01:03:56,729 --> 01:03:57,730
Treated.

1519
01:03:58,904 --> 01:04:00,767
You know,
corporate is corporate.

1520
01:04:00,802 --> 01:04:04,254
There's nothing better than to
watch, you know, your blood

1521
01:04:04,288 --> 01:04:07,119
and sweat and tears
thrown away.

1522
01:04:08,120 --> 01:04:10,156
I don't know. When a network
cancels a show,

1523
01:04:10,191 --> 01:04:12,089
they no longer give a shit.

1524
01:04:12,124 --> 01:04:14,574
I think at that point I just,
it was like totally

1525
01:04:14,609 --> 01:04:16,404
made for the fans.

1526
01:04:16,438 --> 01:04:18,440
I kind of thought, "Well,
maybe it will be easier.

1527
01:04:18,475 --> 01:04:20,580
"You know maybe I'll just be
able to do anything I want."

1528
01:04:20,615 --> 01:04:22,513
And I realized, no. It's...

1529
01:04:22,548 --> 01:04:23,618
"It's gonna be just as hard,

1530
01:04:23,652 --> 01:04:25,413
and we have to
make it all fit.

1531
01:04:25,447 --> 01:04:28,485
It was frustrating. But having
been a network executive

1532
01:04:28,519 --> 01:04:30,763
I... I know the rules
of the game. And

1533
01:04:30,797 --> 01:04:33,973
once they cancel you and they
say there's not a future,

1534
01:04:34,008 --> 01:04:35,837
you know, they just
throw you out there.

1535
01:04:37,252 --> 01:04:38,909
I do think they tried.

1536
01:04:42,982 --> 01:04:44,984
At the Iowa caucuses,

1537
01:04:45,019 --> 01:04:47,400
my wife Cheryl
and my kids all went.

1538
01:04:47,435 --> 01:04:50,093
At this point, Cheryl and I
were working on behalf

1539
01:04:50,127 --> 01:04:52,164
of Hillary Clinton.

1540
01:04:52,198 --> 01:04:55,339
And there were these two
guys... These young guys.

1541
01:04:55,374 --> 01:04:57,721
I eventually went over
and sidled up to these guys,

1542
01:04:57,755 --> 01:04:59,481
and all they wanted
to talk about was

1543
01:04:59,516 --> 01:05:00,897
Arrested Development.

1544
01:05:00,931 --> 01:05:03,554
And I turned
and I started to go.

1545
01:05:03,589 --> 01:05:04,762
And, um...

1546
01:05:04,797 --> 01:05:06,178
The tall guy said "Ron!"

1547
01:05:07,144 --> 01:05:08,835
"I'll make a deal with you.

1548
01:05:08,870 --> 01:05:12,460
"If we're asked to choose
another candidate

1549
01:05:12,494 --> 01:05:14,600
"we'll go with Hillary.

1550
01:05:14,634 --> 01:05:17,154
"But you have to promise me

1551
01:05:17,189 --> 01:05:19,570
"you make the
Arrested Developmentmovie."

1552
01:05:20,951 --> 01:05:23,091
No matter where I go
in the world,

1553
01:05:23,126 --> 01:05:24,230
the question is...

1554
01:05:24,265 --> 01:05:26,025
"Is there gonna be a film?
Is there gonna be a film?"

1555
01:05:26,060 --> 01:05:27,440
"Hey, when's the movie
coming out?"

1556
01:05:27,475 --> 01:05:28,648
-Movie.
-Movie!

1557
01:05:28,683 --> 01:05:30,788
Movie, movie, movie!

1558
01:05:30,823 --> 01:05:34,206
I think it would really lend
itself to the big screen.

1559
01:05:34,240 --> 01:05:36,691
Just as a fan, I pray
that the rumors are true.

1560
01:05:36,725 --> 01:05:38,658
I think it'd be the best
thing in the world.

1561
01:05:38,693 --> 01:05:41,109
I think everybody wants to see
that team back together again

1562
01:05:41,144 --> 01:05:42,939
and then they really could
pick up where they left off.

1563
01:05:42,973 --> 01:05:45,044
The principle element
to it is,

1564
01:05:45,079 --> 01:05:49,497
an opportunity for all of us
to enjoy them. Again.

1565
01:05:49,531 --> 01:05:51,499
I don't know what the status
of the movie is, to be honest.

1566
01:05:51,533 --> 01:05:53,501
CREWMAN: Can you say that
without the glass?

1567
01:05:54,847 --> 01:05:58,437
I don't know what the status
of the movie is. I... Um...

1568
01:05:58,471 --> 01:06:00,232
I'm not entirely sure what the
status of the movie is.

1569
01:06:00,266 --> 01:06:02,061
I think the movie is gonna
happen, you know. I know

1570
01:06:02,096 --> 01:06:03,752
Mitch has been
talking about it.

1571
01:06:03,787 --> 01:06:06,134
We, uh, we have been talking
about doing this movie.

1572
01:06:06,169 --> 01:06:08,654
That's why he ended that last
episode saying, you know,

1573
01:06:08,688 --> 01:06:10,173
"Maybe a movie."

1574
01:06:10,207 --> 01:06:12,589
I know that Jason has been
talking about it in the press.

1575
01:06:13,176 --> 01:06:14,349
A lot.

1576
01:06:14,384 --> 01:06:16,731
We've all really been very
honest with the media. I mean,

1577
01:06:16,765 --> 01:06:18,008
almost to a fault.

1578
01:06:18,043 --> 01:06:19,734
Mitch is supposedly
writing it.

1579
01:06:19,768 --> 01:06:22,219
A script could be written.
It may not be written.

1580
01:06:22,254 --> 01:06:24,014
It may never get written.

1581
01:06:24,049 --> 01:06:25,982
We'll see how much
they zoom, and...

1582
01:06:27,052 --> 01:06:29,744
And make the audience
seasick on the big screen.

1583
01:06:29,778 --> 01:06:32,816
The movie has been rumored
ever since the show

1584
01:06:32,850 --> 01:06:34,128
first got canceled.

1585
01:06:34,162 --> 01:06:35,922
We were talking
about the movie

1586
01:06:35,957 --> 01:06:38,580
as early as the first season.

1587
01:06:38,615 --> 01:06:40,410
I remember talking
to Mitch about it.

1588
01:06:40,444 --> 01:06:43,413
I think about doing the movie.
I have some plot ideas.

1589
01:06:43,447 --> 01:06:46,623
I think they had a lot more to
say, and a lot more to do.

1590
01:06:46,657 --> 01:06:49,212
I read stuff on the internet
that people are like, "Enough

1591
01:06:49,246 --> 01:06:51,179
"already with the movie
rumors." You know?

1592
01:06:51,214 --> 01:06:53,112
It's like "Guys, either do it,
or don't."

1593
01:06:53,147 --> 01:06:54,286
Do you think I should do it?

1594
01:06:54,320 --> 01:06:56,564
And then Mitch started making
phone calls around to us

1595
01:06:56,598 --> 01:06:58,600
finding out who would be
on board, and who wouldn't.

1596
01:06:58,635 --> 01:07:00,740
He was just pretty much like
"So, if we do make it,

1597
01:07:00,775 --> 01:07:02,397
"would you be a part of it?"
And I was like...

1598
01:07:02,432 --> 01:07:03,605
"All right. Sure."

1599
01:07:03,640 --> 01:07:06,263
I mean, the fact is I think
we would all love to do it.

1600
01:07:06,298 --> 01:07:07,609
They all want to.

1601
01:07:07,644 --> 01:07:09,611
I certainly would welcome it.
I love it.

1602
01:07:09,646 --> 01:07:12,545
I've talked to Bateman,
I've talked to Will,

1603
01:07:12,580 --> 01:07:14,202
everybody wants to do it.

1604
01:07:14,237 --> 01:07:17,619
It seems like a pretty simple
question for me.

1605
01:07:17,654 --> 01:07:19,932
I mean even when we were
being canceled,

1606
01:07:19,966 --> 01:07:21,796
he took advantage of
the cancellation and

1607
01:07:21,830 --> 01:07:25,248
wrote it in. So I know he'll
write whatever is going on

1608
01:07:25,282 --> 01:07:28,320
or whatever stories are going
on, who's on board, who's not

1609
01:07:28,354 --> 01:07:31,081
on board... Whatever.
It's all gonna be in there.

1610
01:07:32,289 --> 01:07:33,704
It's very possible.

1611
01:07:35,051 --> 01:07:37,156
Whether or not they call me,
I don't know if there's gonna

1612
01:07:37,191 --> 01:07:40,987
be room for all the many
characters who came to visit.

1613
01:07:41,022 --> 01:07:42,610
Maybe I'll come back
as a twin brother.

1614
01:07:43,128 --> 01:07:45,268
You want to know...

1615
01:07:45,302 --> 01:07:48,409
You know, "Where the [BLEEP]
is Maeby gonna be
in five years?

1616
01:07:48,443 --> 01:07:50,238
"What happens to Buster?"

1617
01:07:50,273 --> 01:07:52,516
Maybe his hand becomes bionic!

1618
01:07:52,551 --> 01:07:54,484
There's got to be
an Arrestedmovie.

1619
01:07:54,518 --> 01:07:55,657
You know, come on!

1620
01:07:55,692 --> 01:07:57,487
There's obviously been a lot
of talk about it,

1621
01:07:57,521 --> 01:07:59,144
you know. And I hope that
happens, I wouldn't bet

1622
01:07:59,178 --> 01:08:00,593
on that one either.

1623
01:08:00,628 --> 01:08:03,320
For some reason,
Arrested Development

1624
01:08:03,355 --> 01:08:05,805
and money have
never been friends.

1625
01:08:05,840 --> 01:08:09,361
[CHUCKLES] Maybe 'cause
the show ultimately

1626
01:08:09,395 --> 01:08:11,363
makes fun of people
who had money.

1627
01:08:11,397 --> 01:08:14,020
Maybe we actually did try
to say something.

1628
01:08:14,055 --> 01:08:15,505
Maybe we change the world.

1629
01:08:16,057 --> 01:08:17,852
Just a little bit.

1630
01:08:17,886 --> 01:08:19,957
You know, the other side of
that is that you have

1631
01:08:19,992 --> 01:08:22,443
Ron Howard, who can
get movies done.

1632
01:08:23,133 --> 01:08:24,617
Look, it's happening.

1633
01:08:25,515 --> 01:08:26,654
By all accounts.

1634
01:08:26,688 --> 01:08:29,346
I was in the bathroom
at the DGA

1635
01:08:29,381 --> 01:08:31,452
and I look up
and Ron Howard is

1636
01:08:31,486 --> 01:08:33,005
in the, um, the urinal.

1637
01:08:33,039 --> 01:08:34,593
There were a lot of rumors
flying around.

1638
01:08:34,627 --> 01:08:37,458
I'm not the kind of guy
who approaches guys

1639
01:08:37,492 --> 01:08:38,735
at a urinal...

1640
01:08:38,769 --> 01:08:40,392
I'd, by God, be the narrator.

1641
01:08:40,426 --> 01:08:42,497
They can't give anybody else
that microphone!

1642
01:08:42,532 --> 01:08:44,672
He was a big fan of the show.

1643
01:08:44,706 --> 01:08:46,018
So I mean, maybe...

1644
01:08:46,052 --> 01:08:49,642
We're now no longer talking
about who's in, who's out,

1645
01:08:49,677 --> 01:08:51,989
what's it gonna be,
when's it coming out?

1646
01:08:52,024 --> 01:08:54,785
He says they have the money
to make that movie.

1647
01:08:54,820 --> 01:08:56,822
-[CHUCKLES]
-CREWMAN: So I can't...

1648
01:08:57,616 --> 01:08:59,514
You can ask anything you want.

1649
01:08:59,549 --> 01:09:01,758
[LAUGHING HEARTILY] Ask away!

1650
01:09:01,792 --> 01:09:03,691
I think everyone needs
closure, although I don't

1651
01:09:03,725 --> 01:09:06,142
know how he's gonna
wrap this thing up.

1652
01:09:06,176 --> 01:09:08,420
Well, at the very least
a Christmas special,

1653
01:09:08,454 --> 01:09:10,249
where they sing songs.

1654
01:09:11,043 --> 01:09:12,941
[CREWMAN SPEAKING]

1655
01:09:16,290 --> 01:09:17,498
Not happening.

1656
01:09:17,532 --> 01:09:18,913
[CREWMAN SPEAKING]

1657
01:09:18,947 --> 01:09:20,708
The show is not coming back.

1658
01:09:20,742 --> 01:09:24,919
It's gotten a lot bigger
on DVD, a lot more fans...

1659
01:09:24,953 --> 01:09:26,783
Nothing likeFamily Guy.

1660
01:09:37,345 --> 01:09:38,622
WOMAN: Would you watch it?

1661
01:09:38,657 --> 01:09:40,452
-Yeah, yeah totally.
-Yeah.

1662
01:09:40,486 --> 01:09:42,039
I would definitely watch it.

1663
01:09:42,074 --> 01:09:43,179
WOMAN: So you would
watch it today?

1664
01:09:43,213 --> 01:09:44,594
Yes, sure.

1665
01:09:44,628 --> 01:09:45,733
I'd probably give it a shot.

1666
01:09:45,767 --> 01:09:46,906
Yeah, I'd probably watch it.

1667
01:09:46,941 --> 01:09:48,287
Yes, I would. Yes, I would.

1668
01:09:48,322 --> 01:09:49,530
Oh, yeah, of course.

1669
01:09:49,564 --> 01:09:51,877
Tomorrow, the next day,
and the next day on.

1670
01:09:51,911 --> 01:09:52,981
-Yeah.
-Yeah.

1671
01:09:53,016 --> 01:09:54,051
Yeah!

1672
01:09:54,086 --> 01:09:55,191
-Yeah.
-Yeah.

1673
01:09:55,225 --> 01:09:56,847
-Yeah.
-I'd probably be interested.

1674
01:09:56,882 --> 01:09:58,228
I would.

1675
01:09:58,263 --> 01:09:59,574
-WOMAN: Tomorrow?
-Tomorrow.

1676
01:09:59,609 --> 01:10:00,955
-The next day?
-Exactly.

1677
01:10:00,989 --> 01:10:03,268
Historically it will be
viewed as one of

1678
01:10:03,302 --> 01:10:04,993
the most important shows
in television.

1679
01:10:05,028 --> 01:10:06,581
If more shows like
Arrested Development

1680
01:10:06,616 --> 01:10:09,550
were on television, then TV
would be good, and not just

1681
01:10:09,584 --> 01:10:10,999
a guilty pleasure.

1682
01:10:11,034 --> 01:10:13,070
It really was lightning
in a bottle.

1683
01:10:13,105 --> 01:10:15,107
This combination of

1684
01:10:15,141 --> 01:10:16,660
a brilliant cast,

1685
01:10:16,695 --> 01:10:18,628
a really original idea,

1686
01:10:18,662 --> 01:10:20,664
it's such a rare convergence.

1687
01:10:20,699 --> 01:10:22,770
It's a god [BLEEP] shame.
I really feel bad for anybody

1688
01:10:22,804 --> 01:10:24,772
who's a big fan of TV who

1689
01:10:24,806 --> 01:10:26,118
hasn't seen
Arrested Development.

1690
01:10:26,152 --> 01:10:27,913
Arrested Development
was the show

1691
01:10:27,947 --> 01:10:30,260
that could have
changed the face of

1692
01:10:30,295 --> 01:10:31,779
American television.

1693
01:10:31,813 --> 01:10:33,505
It just never got the chance.

1694
01:10:33,539 --> 01:10:37,302
And, um, I think it will be
viewed as such

1695
01:10:37,336 --> 01:10:39,545
in the annals of
television history.

1696
01:10:39,580 --> 01:10:41,616
I hate the words
"ground-breaking,"

1697
01:10:41,651 --> 01:10:43,687
but really, I mean. Come on.

1698
01:10:43,722 --> 01:10:45,241
It was ground-breaking.

1699
01:10:45,275 --> 01:10:47,312
I'm really proud to say
I have any involvement

1700
01:10:47,346 --> 01:10:48,934
in Arrested Development.

1701
01:10:48,968 --> 01:10:51,799
It was pretty damn funny
if I do say so.

1702
01:10:51,833 --> 01:10:54,008
I think Peter Chernin once
called it, uh, us, a

1703
01:10:54,042 --> 01:10:56,769
a noble experiment.
Or, you know, even he said

1704
01:10:56,804 --> 01:11:00,670
"We're proud of the show,
it was worth...
It was worth it."

1705
01:11:00,704 --> 01:11:04,639
You know, it was just a
[BLEEP] [BLEEP] pleasure.

1706
01:11:04,674 --> 01:11:06,676
CREWMAN: Describe
the show in one word.

1707
01:11:07,677 --> 01:11:09,092
Oh... [SIGHS]

1708
01:11:13,752 --> 01:11:15,236
Phew.

1709
01:11:15,271 --> 01:11:16,548
Threw a curveball there.

1710
01:11:19,033 --> 01:11:20,172
Smart.

1711
01:11:20,206 --> 01:11:21,449
Insane.

1712
01:11:21,484 --> 01:11:22,692
Hilarious.

1713
01:11:22,726 --> 01:11:24,797
-Brilliant.
-Visionary.

1714
01:11:24,832 --> 01:11:26,903
-Perfect.
-Complex.

1715
01:11:27,731 --> 01:11:29,492
The song Tennessee.

1716
01:11:29,526 --> 01:11:31,148
I mean, I wish it wasn't so.

1717
01:11:31,183 --> 01:11:33,012
But they were first.

1718
01:11:34,048 --> 01:11:35,152
Family.

1719
01:11:35,187 --> 01:11:36,292
Rest in peace.

1720
01:11:37,258 --> 01:11:38,294
Good evening.

1721
01:11:38,880 --> 01:11:40,296
The end.

1722
01:11:44,196 --> 01:11:46,992
I love the fans of
Arrested Development.

1723
01:11:47,026 --> 01:11:49,995
There really is something
about the kind of people

1724
01:11:50,858 --> 01:11:52,238
who love the show.

1725
01:11:52,273 --> 01:11:55,414
The Aztec tomb,
saw this on eBay,
and this is

1726
01:11:55,449 --> 01:11:57,761
sort of the first
big purchase I made.

1727
01:11:57,796 --> 01:12:00,419
As you can see, the revolving
door does work.

1728
01:12:00,454 --> 01:12:01,627
It's a tight squeeze.

1729
01:12:01,662 --> 01:12:04,527
I've never met a person who
said "Hey, I love that show"

1730
01:12:04,561 --> 01:12:06,908
that I didn't like. And it's
not an ego thing, because

1731
01:12:06,943 --> 01:12:09,808
I have met people who have
liked Golden Girlswho I just

1732
01:12:09,842 --> 01:12:11,016
wanna punch in the face.

1733
01:12:11,050 --> 01:12:12,811
I have this water bottle
from Army.

1734
01:12:12,845 --> 01:12:15,710
The infamous
Girls with High Self Esteem.

1735
01:12:15,745 --> 01:12:18,023
And then I have
Kitty's sunglasses.

1736
01:12:18,610 --> 01:12:19,852
Up here, Michael.

1737
01:12:19,887 --> 01:12:22,510
This one old lady couldn't
shut up about it
the other day.

1738
01:12:22,545 --> 01:12:24,409
I was like "God, you smell
like death!"

1739
01:12:24,443 --> 01:12:27,619
The Cornballer is a culinary
wonder machine.

1740
01:12:27,653 --> 01:12:30,242
It's something like
a deep fryer,

1741
01:12:30,276 --> 01:12:32,486
and, uh, it's very dangerous.

1742
01:12:32,520 --> 01:12:35,281
So I would always enjoy these
conversations that I'd have

1743
01:12:35,316 --> 01:12:38,561
with the fans. Because
you know, they got it.

1744
01:12:38,595 --> 01:12:39,734
They got it.

1745
01:12:39,769 --> 01:12:42,841
Arrested fans rarely
smell like death.

1746
01:12:45,637 --> 01:12:48,916
[CLAPPING, HOLLERING]

1747
01:12:57,131 --> 01:12:59,271
[MAKING CHICKEN NOISES]

1748
01:13:48,803 --> 01:13:53,532
[MAKING CHICKEN NOISES]




